Impression I, II, III
All three photographs were made with my iPhone 4, cropped to 4×5, and processed with the Magic Hour filter, all in the Camera+ app. I tweaked curves slightly, and added borders in Photoshop after import.

One of the first things I did when the Ottawa Hospital finally let me have a Day Pass to go wreak havoc in Ottawa was make a bee-line for the National Gallery with a friend. What I most wanted to see, and hadn’t for a few too many years, was the work of the Group of Seven. I could stand in front of them for hours. I’ll let you look them up when you have a moment, but I strongly recommend you do. They were my first love affair with impressionism, and if you have time, and ever find yourself in Kleinburg, Ontario, the McMichael Canadian Art Collection has what I believe the largest collection. But I’m getting off track.

There’s something about the impressionists, and I’ll as happily spend a day in Paris’ Musée d’Orsay which houses a lot of European Impressionist paintings, because they feel like something. More than mere illustration they illicit, at least in me, stronger emotions. I never studied Art History; I probably should have. But I know what I like; I know what moves me. And standing in front of paintings of Algonquin and the north shore of Lake Superior, I wondered how I could put that kind of mood into my own work, in ways beyond the obvious. I’ve been thinking about it for weeks.

And then last Friday we drove Corwin, my manager, back to the airport and it rained and rained. I spent the entire drive with my iPhone pushed up to the window, having more fun creatively than I have had since the moments before I fell off the wall in Italy. I don’t know that I’ve accomplished what I wanted, but I’ve found clues. These three photographs feel the way I feel about the countryside I grew up in, at least on certain days. And to me, the ability to express those things is increasingly important.I’ve said often that photography is a way of pointing, of saying “Look at that!” It’s also a way to to say, “I feel ___________about that,” in the hopes that others might see it, and feel it that way too.


Tuesday is June 28, and we’ll be releasing A DEEPER FRAME, my first eBook in over 6 months. Everytime we release an eBook, we offer discounts for a few days. Well this time the discounts are, um, well, deeper, I guess. Join us here tomorrow for that announcement.

Back Home & Long Overdue

This is one of those long “cram as much into one post as possible” posts. The last month’s been sparse around here with all my travel, so now’s my time to play catch-up. ITALY WITHIN THE FRAME The iWTF trips were amazing and as Jeffrey Chapman and I get ready for next year’s offerings I’m […]

May 6th


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CategoryPosted in: Images, Thoughts & Theory, Travel

It’s Only a Moment, but…

I think one of the things I love most about photography is that it often elevates the mundane. When you stop a moment, and preserve it forever, and take the care to frame it, light it, and chose one moment over another, you effectively tell the world – or anyone who cares enough to look […]

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