I believe that when Robert Capa said “if your photographs aren’t good enough, you aren’t close enough,” part of what he implied was more than just physical proximity, but a more intimate knowledge of the subject. They’re connected of course, and if there’s one thing that I love hearing from others about my work, it’s the word “intimacy.” I want …
Breakfast with Freeman
This past weekend was something like a rite of passage, of which we have so few in this culture. And those we do have seem to come accidentally; we recognize them in hindsight. Which makes it a little less a rite and a little more merely a milestone. Still, this weekend was that for me, something I’ll always look back …
Nice Capture?
Some thoughts about the way we talk about photographs. As always, I think the questions are more important than the answers. I’m not looking for consensus, just giving voice to my own thoughts and questions. Yours might be different. Thought the First. “Nice capture,” says nothing about what you felt when you experienced a photograph. It says nothing about art. …
The Magic Wand
This weekend I posted about my experience with the new Fuji XE-1. It’s a great camera. It’s capable of making some beautiful photographs. But I didn’t say the one thing I most wanted to. My heart was screaming to say it and got over-ridden by my mind and it’s always a mistake not to listen to my heart. I wrote …
Let Them Steal
Some days my time online makes it seem like photographers spend more time making watermarks than they do making photographs. So as it’s been a while since I’ve allowed myself a rant, let me weigh in with my opinions about the theft of images. But first a caveat. Yes, copyright laws matter. Yes, you should register your work. Yes, you …
Planning Is Just Guessing. But With More Pie Charts and Stuff.
I taught at VanArts this morning, by which I really mean I talked for two hours and hoped those beautiful young minds would learn something from my string of disconnected thoughts. One of the things I talked about, though with my tendency to digress, I have no idea which rabbit-hole I was down when my time ran out, was poetically …
On “Missing The Shot.”
Last week I wrote about the crippling power of fear in the life and process of the artist. I think there are some fears that are universally felt among artists of every discipline, others unique to us as photographers. Chief among those fears, it seems, is the fear that we’ll “miss the shot.” And so we amass every piece of …
The Voice of Fear
I tell my students at the Vancouver Gatherings that fear is the greatest barrier to creativity. I tell them to bring their fears into the light, to give their fears a chance to say their piece, then to call bullshit and move on. I tell them this because the alternative is to leave our fears muttering to us from the …
Faking It.
Ice Abstract, Peggy’s Cove, NS. 2012. Every artist I know, particularly those who feel uncomfortable calling themselves artists, feels like they’re faking it. In those moments when I’m totally transparent and feeling brave, I’ll tell you it’s one of the two fears with which I wrestle daily – the first that one day I’ll wake to find my muse has …
Stop Waiting.
Marshall Eagle, Kenya, 2012 Perhaps because I spend so much time with creatives I spend more time with frustrated people who feel like they were meant for something more. Perhaps if the default in this culture was to make a living in the arts, we’d be seeing plumbers that just wanted to quit their job painting so they could …