I believe now more than ever in this beautiful craft. I love its democratic nature, I love the way it uses such elegant raw materials: light and time. I love the mechanics, and the way the cameras feel in my hands. And I adore the final print. In fact the moment I’m done writing this I’m going to run some …
The End of What It Looks Like
I’m in Melbourne right now – my first time to Australia, and my 50th country. I’m speaking at the Nikon AIPP, an incredible convention filled with some wonderful people. Yesterday I gave the keynote address that opened the conference; it’s a fearful task to inspire people at 8:30am. It was a presentation I’ve been obsessing over for a couple weeks …
Exposing for Highlights
While people rush to buy the latest cameras with the highest dynamic ranges and the latest software that’ll allow simulation of the highest dynamic range possible, and there’s nothing necessarily wrong with that, it helps to remember that every limitation can also be a beautiful creative constraint. On the beach in Moeraki recently, and disappointed by the bright sunlight and …
Cringe
I often look at the work of a younger me and cringe at his decisions. His choice of moments was hurried and impatient. His composition was simplistic. His use of colour and composition was undeveloped. My god, he barely seemed to know what he was doing. No wonder he spent so much energy trying to convince himself he wasn’t an …
Cameras Don’t Make Photographs.
The recent outrage over Steve McCurry’s penchant for tweaking his photographs with Photoshop is just one in a long series of opportunities for photographers to get their panties in a twist over how photography should or should not be done. This morning, I’ve about as much desire to enter the fray as I have to pour this mug of coffee …
More Than Wow.
I used to be a magician. An honest-to-God, I-do-this-for-a-living Magician. And a juggler too. And a comedian. But let’s talk about the magic part. I spent a lot of time by myself, learning how to hide coins and cards and make birds appear from nowhere. I had an illusion built that allowed me to cut myself in half on stage. …
Image or Imagery?
Each time I travel I get the same questions about my gear. Here are the answers. But I should warn you, this post quickly turned into a bit of a rant. What Camera do you use? Right now it’s Fuji mirror-less for the most part. And a couple zoom lenses from 16mm to 90mm. Sometimes longer. But it could as …
Vision-Driven Exposure: A Clarification
I wanted to follow up on my article about how I expose, to clarify a few things. If you’ve read that article, read on. If not, you might want to read it first. To make a few things clear, my last post was not a dismissal of craft. Craft has its place. Excellence matters. But there’s this thing about people …
Vision-Driven Exposures
This is my confession. I no longer use a light meter. I don’t spot meter. In fact most of the time I don’t even know what metering mode I’m on. My life as a digital photographer became infinitely easier when I abandoned those, put my camera back to manual and simply began exposing for what’s important. Whether you use a …
Vision and Voice
I wrote a book called Vision & Voice. This is not about that. This is about the constant stream of questions I hear that all share a similar quest fuelled by a similar desperation. The questions all centre on one recurring desire: the longing to find your voice photographically. I have tried, in my way, to answer the question creatively, …