If I could use only one lens for the rest of my life, it would be a 16-35mm (unless I was photographing bears, in which case I’d want 600mm). But then again, if that bear was really far away, I might want 1200mm. Or if I were underwater, then I’d want my 15mm fisheye. Oh, and then there are portraits for which I might want …
For Stronger Photographs: More Time
Three weeks ago, I found myself sitting on the banks of Hudson Bay, a stone’s throw from the Arctic circle, waiting for a polar bear to wake from his slumber. One can wait a long time for a polar bear to awaken. Several times, our group of photographers asked whether we should move on, and several times the answer was, …
Failure Rates? Keeper Rates? There is a better way of thinking about this.
Do you ever hear yourself say something and immediately wish you could take it back? It’s like words are coming out of your mouth and you’re only seeing them for the first time and you think, “wait! I didn’t mean that!” It happened to me the other day. A friend and I were on a small plane heading home from …
Print Your Work Without Printing Your Work?
I have no idea how I got there, but I found myself on YouTube a few weeks ago watching mesmerizing videos of a carpenter making the most beautiful tables and desks. Cam (the carpenter) can be found at BlackTailStudio.com or on Instagram, and his videos (including one about the making of a $10,000 Myrtlewood desk) gave me a new appreciation for the idea …
3 Ways Changing My Thinking Changed My Photography
As we grow in this craft, we move from uncertainty to increasing comfort and confidence with certain aspects of the skills and thinking that the making of photographs requires. To use a well-trod metaphor: it’s a journey. Some of the things we learn are adapted quickly; some we will work on all our lives. I clearly remember thinking how I’d be so happy …
You’re an Amateur. Is That Enough?
You’re an Amateur. Is That Enough? In September 2019, I wrote the words below for my podcast, A Beautiful Anarchy, and I feel like perhaps enough time has passed since I’ve reminded you of these important truths, and I want to offer them to you again. _________________________________________ I spoke with an artist recently who expressed the feeling that because his …
To Make Better Photographs, Study More Photographs, Part Two
The first installment of this two-part series began an exploration of the way in which we study a photograph, first to experience it and then to learn from it. If you missed it, you can read the first part of To Make Better Photographs, Study More Photographs here. The main point in that first article was this: our first point …
To Make Better Photographs, Study More Photographs, Part One
I started this craft innocently enough—purchasing on a whim a Voigtlander rangefinder with a fixed 35mm lens when I was 14—but by the time I was 16 years old, I was hooked and desperate for something with a few more options. I wanted “a real camera.” I have no idea where I thought my mother would get the money for …
The Pleasure of the Poetic
I’m taking a bit of a chance with this one, but as I’ve been talking lately about the poetic possibility of photographs, I thought I’d make some further observations. I read a little poetry most mornings, coffee in hand, as I gather my wits for the day. Lately, it’s been Billy Collins, a two-term Poet Laureate of the United States. …
Vision Isn’t Everything.
Vision Isn’t Everything. It’s Often Not Even the First Thing. Those of you who have been with me a while probably never thought you’d see the day when I’d write those words. I’ve built much of my teaching around the idea that “vision is better’” and, specifically, have placed a priority on vision being better than relying on endless gear upgrades where …