Ten galleries of images representing David's work, both personal and professional, over the last 8 years.


If you've tried the books about gear and long for something more, David's poured his heart into 20 books and ebooks for you.


Two carefully curated collections of 24 beautiful fine-art prints and folios for your walls or your personal collection.

Jul 28th


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CategoryPosted in: News & Stuff, Postcards From..., Travel, Wilderness

Gwaii Haanas


A week ago we wound our way out of Sandspit, one of the few small towns in the Haida Gwaii, a group of islands in northern British Columbia that used to be called the Queen Charlotte Islands, towards a waiting bush plane. We loaded our gear into the De Havilland Beaver around 6:30am, the sun already up for a while this far north, and in 30 minutes were touching down beside the Ocean Light II, a 72-foot ketch rigged sailboat. I spent a week with the crew of the Ocean Light II just over a month ago in the Khutzeymateen Inlet photographing grizzly bears in an impossibly green estuary, and got so attached to the boat and my new friends that this felt a little like coming home.

This is Gwaii Haanas National Park Reserve, Gwaii Haanas meaning “place of wonder.” I’ve been dreaming about coming to this part of the world since I first heard of it through the work of painter Emily Carr, and then through the well-publicized fight to save the place, but somehow never found myself here, which is odd because it’s nearly my backyard compared to the places I’ve spent the last 8 years exploring. It’s green here, lush and shaggy, the wind-swept old growth forests of spruce, hemlock, and cedar are thick with moss and lichen, and feel alive like few places I’ve been. Where the forests end, they meet the shores – rocky and strewn with driftwood. There’s a kind of sacred, wild, mess about the place. At the shores, the vibrant intertidals full of urchins, sea stars, anemones, and crabs. Seals, sea lions, otters, whales, all make this place home. To call it a place of wonder is apt but understated.

I’m happy with the work I’ve done here, some of which I’ll share over coming days, but the time’s been too short. And now I’m heading home. The Ocean Light II is motoring its way back towards Sandspit, the motion in my berth at the bow making me want to crawl back into my sleeping bag and fall asleep as I stare out the hatch at the brooding clouds we’ve had all week. I’ve napped often this last week; mornings have been early as our skipper, Tom Ellison, seems to dare me every morning to sleep in and miss the light. He’s a photographer too, and an incurable story-teller. I’d come here just to be in the same room as he. So we rise around 5am, haul our gear into the Zodiac along with our coffee and go see what’s to be seen. We fill our days with exploring, crabbing, fishing, and getting to our next harbour. In between there are visits to old Haida villages to see the few remaining poles and hear the ghosts of the past. Last night I photographed on the beach before returning to the fire and eating grilled salmon and bannock, the sun still working its way down well after 9pm. Small wonder I’m heading home with such reluctance after what seems much more than a week in this timeless and wild place.

When I get home I’ve got 3 days to wash the salt from my clothes, pack my water housing and snorkel gear, charge my batteries, and get on a China Airlines flight to Taipei and then Bali. I’m there for the What If Conference, but have three days before it starts, to find some hammock time and get underwater with my gear. Funny how the direction of my work has changed, how much it pulls me these days towards wild places. I’m still pursuing the humanitarian stuff, and even now planning new work back in northern Kenya in 2015, but the more I do that work the more I see how connected we are as a species, to the welfare of this home we’ve taken too much for granted. In the meantime, so much gratitude for the beauty before my eyes…

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Jul 8th


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CategoryPosted in: Creativity and Inspiration, The Craft, The Life Creative

Why Sketch?

I’m a big believer in sketch photographs, making frames you know aren’t working but have some idea in them you want to explore. The alternative is to believe that all the images I make that don’t work the way I had hoped are failures and I don’t believe in the notion of failure in creative […]