Watch the Video: What Makes The Image Work?
Learning to use a camera is only the very first part of this craft. Once you can do that, the rest is learning how photographs work. Last week I began this conversation by showing you one of my photographs, both before and after, and invited you to reverse engineer it. I encouraged you to speculate on the decisions that made …
What Makes Your Images Work?
I’ve got a question for you. Do you know how your photographs work? Not your cameras, you know how to focus and expose and use enough of the other buttons that you can mostly make it do what you want, but do you know how your images work? A still image is a lot of moving parts (metaphorically speaking). Sure …
One Thing: Simplify
If everything went to plan, I’m currently in the bush on the Zambezi River, probably just settling in for the evening by the campfire with a whisky in my hand and a blanket of stars above me. Behind me, a forest of winterthorn trees, and around me, the song of frogs. In the distance, splashing and the deep guttural noises …
Seeing Takes Time
I spent yesterday morning with a cup of coffee at the local marina, staring at the boats and the light and breathing it in, my deep pleasure at doing nothing at all spoiled only by an apple croissant that was, in fact, filled with marzipan. A nice surprise if you like marzipan, but I think it tastes like the inside …
Do Your Photographs Matter?
Your photographs probably don’t matter that much, and neither do mine. The one that just took home the blue ribbon at the state fair? It’s (probably) not going to change the world. The one that just made the cover of that magazine you’ve always hoped might publish your work? In a couple of years, you’ll likely look back on it …
An Elephant at My Tent
Not 20 minutes after my arrival at Kutali Camp on the Zambezi River in Zambia, a large bull elephant strode through camp, walked up to the lunch table, and sampled—then summarily rejected—the cucumber salad that was due to be my lunch. Two mornings later, I woke to find him outside my tent at 4 am, walking right past the tent door …
All (High) Keyed Up?
I’ve always loved high-key images for their simplicity, elegance, and power. There’s a directness to them and no confusion at all about your intended subject. The technique is relatively simple, and yet for all its advantages, it’s been a while since I’ve thought to embrace it. Going into my recent trip to Kenya, I decided to remedy that by looking for …
Find Your “Hey, Look at That!”
I have an early memory of going photographing with my dad on a morning after a big ice storm came through. It was just after Christmas, the storm had knocked out power to much of the area, and the streets were thick with ice, impossible to drive on. I finally had my first “real” camera, an SLR with interchangeable lenses, …
Don’t Start Perfect. Just Start. Period
Starting has always been tough. They don’t tell you that when you buy a camera. Or the new lens you get so excited to use. “This,” we think, “is going to change everything!” Except it doesn’t. At least not yet, because you’re (to misquote Julia Roberts in Notting Hill) still just a girl standing in front of a boy asking …
Stop Looking (Only) for Subjects?
I went to Kenya last month with the usual mix of excitement and worry. Excitement for all the normal reasons, not the least of which was being in front of wonderful things in beautiful light with my camera in my hand. Worry because I really didn’t want to come back with different versions of the same photographs I’ve made before. …