My photography is never so difficult and robbed of its joy as when I try too hard to make it “good” (whatever that means) or worse: to make “art.“ The moment I focus my concern on the outcome of what I am making or how it is received by others, my work becomes rigid and self-conscious. Not only does the …
Stronger Wildlife Photographs: 5 Ways
Wildlife photography should be easy: get a long lens, put the critter in the frame and don’t screw up the exposure. Simple, right? In the 20 years during which I have slid sideways into becoming a wildlife photographer, I have found myself both delighted and frustrated by the challenge of it. Surely if you know how to use a camera, …
Stronger Photographs With Just One Decision
Watch the short video above, or keep reading if you prefer the written word. Too many photographers look to the work they do with the camera as job one, which it is. But it’s not the only job. Your ability to edit down to your keepers, to process them in ways that are consistent with your voice, and to do …
Between What If? and What Now?
I once wrote that “what if?” was the central question for creative people. I also once wrote that our expectations of what we hope for—of a place, a subject matter, even an idea—can blind us to the reality of it. You show up in Venice to photograph the city in fog and experience agua alta, the high flood waters of …
3 Ways To Give Your Images Their Best Chance
Watch the 7-minute video above, or keep reading if you prefer the written word. Here’s a question that keeps me up at night: Why do photographers get so intimidated by editing down to their best images and the “now what?” that comes once we put the camera down? And are we missing really important creative opportunities because of this? For …
A Better Edit Makes Better Photographs
Take a few minutes to watch the video above or, if you’re more of a written word person, keep reading. It’s not uncommon for me to come home from a trip with thousands of photographs. On a wildlife trip I can average 1,000 photographs a day, which is really easy to do when you’re in a moving boat, excited about …
Change Your Lens, Or…?
Imagine this: we’re side by side at a local pond, a thermos of coffee between us as the first light comes up. You’ve got your camera with a 24-105mm lens. I’ve got mine, too, but chose to bring my 300mm lens instead. As we set up, you say you wish now that you’d brought a longer lens. “Funny,” I say, …
The Golden Merganser: About the Image
My best photographs are usually a surprise to me. Long after I’ve made them, they feel familiar and almost inevitable as I look back on them, but not one of them could I have really ever anticipated at the time. The light, the composition, even the subject—I often never see them coming. Sometimes, the surprise is that the image even …
The Evolving Photographer
I am not the photographer I once was—and neither are you. Change is inevitable (and desirable), and as you look at your work, I hope you see that change reflected in the photographs you have made. As the months and years roll by, the camera becomes a little more familiar, a little less intimidating. At some point, it just feels …
Diminishing Returns? I Don’t Think So.
I came home from Zambia with a small handful of images I love. Maybe eight. The jury is still out. But a couple of them I really love. The rest are just meh, a collection of sketch images that don’t make me lean in or quicken my heart. Far from failures, they’re what it takes to get me to the …