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All (High) Keyed Up?

In Images, Photographs & Photoshopping, The Craft, Thoughts & Theory, Tutorials &Technique by David3 Comments

I’ve always loved high-key images for their simplicity, elegance, and power. There’s a directness to them and no confusion at all about your intended subject. The technique is relatively simple, and yet for all its advantages, it’s been a while since I’ve thought to embrace it. Going into my recent trip to Kenya, I decided to remedy that by looking for …

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Find Your “Hey, Look at That!”

In Creativity and Inspiration, Pep Talks, The Craft, The Life Creative, Thoughts & Theory by David15 Comments

I have an early memory of going photographing with my dad on a morning after a big ice storm came through. It was just after Christmas, the storm had knocked out power to much of the area, and the streets were thick with ice, impossible to drive on. I finally had my first “real” camera, an SLR with interchangeable lenses, …

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Don’t Start Perfect. Just Start. Period

In Pep Talks, Rants and Sermons, The Craft, The Life Creative, Thoughts & Theory by David21 Comments

Starting has always been tough. They don’t tell you that when you buy a camera. Or the new lens you get so excited to use. “This,” we think, “is going to change everything!” Except it doesn’t. At least not yet, because you’re (to misquote Julia Roberts in Notting Hill) still just a girl standing in front of a boy asking …

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The Problem with Mood

In Photographically Speaking, The Craft, The Life Creative, Thoughts & Theory, Vision Is Better by David125 Comments

A couple years ago I was doing a little moonlighting for a small computer and imaging company that rhymes with Snapple. They were under the mistaken impression that my nearly 40 years behind the camera meant I know what I’m talking about. But what a fun gig! One of my first tasks as their Creative Storytelling Specialist (yeah, I still …

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The Power of Mood

In Pep Talks, The Craft, The Life Creative, Thoughts & Theory, Vision Is Better by David69 Comments

Photography can be many things. For some, it’s about capturing scenes. For me, it’s about conveying emotions and suggesting narratives that resonate deeply, first with me and then with the viewers who might experience the image. I’m not so much after eyes as I am hearts and minds. Mood does that. The mood of a photograph is its emotional tone—a …