I ask myself a lot of questions as I make my photographs. What’s this scene really about? What do I include, and what do I leave out? What possessed me to get up at 5 am and sit in the rain? Those kinds of questions. Like you, I also ask myself what I might do with my exposure, how I …
It’s Enough to Know Enough
Put the coffee on, maybe pour a glass of wine. This will take you about eight minutes to read, but it might be a great way to recalibrate for the year ahead. If you’re looking for the winners of the Gura Gear Giveaway, you can find those towards the bottom of this piece. My first camera was relatively easy to use. A …
The Problem with Mood
A couple years ago I was doing a little moonlighting for a small computer and imaging company that rhymes with Snapple. They were under the mistaken impression that my nearly 40 years behind the camera meant I know what I’m talking about. But what a fun gig! One of my first tasks as their Creative Storytelling Specialist (yeah, I still …
The Power of Mood
Photography can be many things. For some, it’s about capturing scenes. For me, it’s about conveying emotions and suggesting narratives that resonate deeply, first with me and then with the viewers who might experience the image. I’m not so much after eyes as I am hearts and minds. Mood does that. The mood of a photograph is its emotional tone—a …
Is it Getting Better?
Two weeks ago, I suggested you stop asking if your photographs are good and that you not concern yourself with whether they are or are not art. I advocated a more playful approach guided by what you love and what brings you joy. I argued that the growth in your craft could be channelled by that love because the more you love doing …
Stop Making Art?
My photography is never so difficult and robbed of its joy as when I try too hard to make it “good” (whatever that means) or worse: to make “art.“ The moment I focus my concern on the outcome of what I am making or how it is received by others, my work becomes rigid and self-conscious. Not only does the …
Stronger Wildlife Photographs: 5 Ways
Wildlife photography should be easy: get a long lens, put the critter in the frame and don’t screw up the exposure. Simple, right? In the 20 years during which I have slid sideways into becoming a wildlife photographer, I have found myself both delighted and frustrated by the challenge of it. Surely if you know how to use a camera, …
Between What If? and What Now?
I once wrote that “what if?” was the central question for creative people. I also once wrote that our expectations of what we hope for—of a place, a subject matter, even an idea—can blind us to the reality of it. You show up in Venice to photograph the city in fog and experience agua alta, the high flood waters of …
Change Your Lens, Or…?
Imagine this: we’re side by side at a local pond, a thermos of coffee between us as the first light comes up. You’ve got your camera with a 24-105mm lens. I’ve got mine, too, but chose to bring my 300mm lens instead. As we set up, you say you wish now that you’d brought a longer lens. “Funny,” I say, …
The Golden Merganser: About the Image
My best photographs are usually a surprise to me. Long after I’ve made them, they feel familiar and almost inevitable as I look back on them, but not one of them could I have really ever anticipated at the time. The light, the composition, even the subject—I often never see them coming. Sometimes, the surprise is that the image even …