In my last post (August 06), I discussed a few ways to improve the mood in our photographs, namely by finding stronger mood in the first place, usually by looking for more interesting light or more interesting weather. Just getting out there earlier and staying later helps. Some weatherproof gear and a willingness not to baby the camera so much …
Find the Light, Find the Mood.
“How do you photograph that great light?” is one of the top three questions I’m asked about how I make my photographs. It’s a good question because the camera sees light differently than we do, and unless you know what’s possible, you’ll struggle with retaining the mood of beautiful light. That struggle is more difficult for photographers who are still chained to …
Creative Failure: Teacher or Trap?
In the creative life very few things go the way we expect them to, and I suspect when they do, it’s because we’re not reaching far enough beyond our comfort zone, not risking enough. First steps into any new endeavour—whether that’s learning a new technique or beginning a new body of work—are not the steps that get you to a …
Creativity: The Missing Ingredient
We are all missing something. We are all a Gordian Knot of what we are, what we have and do not have, and what we’ve both gained and lost. The blessing of some of that is easily seen, while some of it is hard not to see as a curse or a deficiency. All of it comprises the constraints within …
Show Me Where You’re Brave
There is a scene in the 2023 Netflix series Kaleidoscope in which the lead character, played by the inimitable Giancarlo Esposito, says to his young daughter, “Show me where you’re brave.” She responds by putting her finger to her head. “Now show me where you’re strong,” he says, and in response, she puts her finger on her heart. I am feeling neither brave …
Having Not Gone Farther: On Regret & Creativity
I regret very few things in life, if by “regret” we mean the desire to undo the past, to have done things differently. I don’t regret loving with a full heart when my brain was nothing but red flags, and that same heart later fell broken at my feet for having taken the chance. I don’t regret the missteps I …
One Foot in the Grave? An Update.
Not quite a week ago, I had my right foot amputated and dropped that news on many of you somewhat abruptly. Sorry about that. As I observed at the time, there’s just really no way of easing into a conversation like that. If you missed this and you’re wondering what’s going on, you can read the whole story here to …
Amputated. A Personal Note.
I had my foot amputated yesterday morning. I wrote this a couple weeks ago knowing that my head might not be in the space to do so in the days after the surgery, so I can’t tell you how it went just yet, or how I’m feeling about it all, but I can bring you up to date. I don’t …
What Makes An Image Work (Part 2)
Last Sunday I posted a photograph on the blog, and in The Contact Sheet email, inviting you to consider how I made one of my photographs. The exercise was a simple one, and I know some of you have seen it before but you can still learn from it. Look at the image and ask yourself what decisions I made …
What Makes An Image Work?
As a child, my cousin James had a reputation for taking things apart. I recall one Christmas when he dismantled down to the wiring every gift he was given. Remote-control cars? Give him 20 minutes, and there would be nothing left but a pile of tiny screws, little motors, and the tears of his mother who probably should have known better than …