VIEW THE PORTFOLIOS

Ten galleries of images representing David's work, both personal and professional, over the last 8 years.

READ THE BOOKS

If you've tried the books about gear and long for something more, David's poured his heart into 20 books and ebooks for you.

COLLECT THE PRINTS

Two carefully curated collections of 24 beautiful fine-art prints and folios for your walls or your personal collection.

Jun 24th

2012

Comments Comments 41
CategoryPosted in: Life Is Short, Rants and Sermons

Above the 45

Thiksey Monastery, Ladakh, India. 2008
Click to view larger.

This is a bit of a rambling one. A couple years ago I was headed to Bosnia, in the process of buying Jessie, my Land Rover Defender, and planning to leave my home for a year in pursuit of stories, adventure, and some fresh air. The day I left for Bosnia my manager, Corwin, was hosting his annual Creative Mix event in Vancouver. One of the speakers was Dylan Brown, the Creative Director for Pixar Canada, and his talk revolved around one scary idea: keeping it above the 45. Let me explain.

In the artist’s life there are two axes: on the Y axis is challenge (or opportunities), on the X is ability. When the opportunities we take equal the talent or ability we have, we are living on the 45-degree angle formed between the two. Perfect balance, and generally, to put it into blunt terms, stagnation. But when the opportunities we create or seize seem to outpace the talent or ability we have, we grow in that ability to meet the opportunity, and are living above the 45.

Every creative I know that is doing something they love, is both excited and scared to death. They are moving in the direction of the fear, not away from it. I’ve come to know Dylan, the man who first introduced me to the idea of the 45. The man is insanely talented. But he’s just a guy. He’s got a job. He does it with mad skill. Pixar doesn’t hire hacks. But he leans into the fear, and when he talks about attending the premier of movies I adore, or being part of a team that’s won an Oscar, it’s because he leans into the fear, and forces himself to live above the 45.

I just got back from the printers. I spent a couple hours looking at books, papers, covers, bindings.  I have in mind to do a beautiful fine art book of my photographs. Not an education book. Not something that’ll hit Amazon.com or ever become a best-seller. Just a book of my photographs. And I know it’s the next step. I know it’ll consume a year of my life and a chunk of my savings. I know it’s going to make me cry, and be very, very expensive. But I also know I have to do it. I have to risk the learning curve, the time, the money, and the possibility that I’ll be still trying to sell them and giving them away for Christmas in 20 years. But if I am going to lean into the fear and live above the 45, I have to do it. Why? In part it’s because I want to leave something amazing behind. I call it a legacy project. But I’m not just doing it so there will be something left of me when I die. It’s because living above the 45 is where life, and art, is. I know it will be worth it.

It’s above the 45, and only above the 45 where growth happens and where we stop repeating ourselves and create something beautiful. Important. Good. When creatives and artists get stalled on the idea of making money with every project, and paying the rent, they abandon the muse, because the muse doesn’t give a hot damn whether you make money. She cares about making something beautiful and honest, about creating something that’ll outlast us. And while there are too many people that’ll put down a few bucks for something mediocre, there are as many people willing to put down more for something amazing, something beautiful, something that took risk and honesty to create.  It’s when we live above the 45 that we begin creating things for the very reasons for which we stayed below the 45.

At the risk of flirting with presumptuous inspirational nonsense, are you living consistently above the 45? Are you one step ahead of your fear or has it been a while since you even considered its presence? Are you growing or stagnating? Moving forward or back? I ask because my own answer is not always Yes. On the day I heard Dylan talk I was, as I said, heading out on assignment to Bosnia. I was packing up my home to live the life nomadic. To all appearances I was above the 45, but in significant ways I wasn’t. I wasn’t pushing my craft. I wasn’t leaning into the fear. Not the way I thought I was, anyways. What looked difficult and fearless to others, was comfortable to me. Where did I grow the most last year? In hospital and rehab leaning into the fear and fighting like hell to walk again. A high price to pay not to remain stagnant, but I think my art changed significantly through those days, and in ways that I doubt could ever have happened otherwise.

I just finished reading Hugh MacLeod’s new book, Evil Plans. It’s a light read and it’s not overly deep, but it lightheartedly points to some good reminders that it takes fighting like hell to do our work, and it takes a conscious choice to live above the 45. No one lives above the 45 by accident. You wake up every day and decide to work, to do the best work of your life, even your life’s work. You don’t sit around waiting for your real life to begin, because those that do will find it never comes, or that colon cancer or heart disease or some other unexpected horror comes first to wake us and our waited-for dreams slip away. Now is the time to feed your hunger for freedom, for beauty, for meaningful work. It’s not, as Seneca said, that we live for too short a time, but that we waste so much of it.

Jun 21st

2012

Comments Comments 3
CategoryPosted in: News & Stuff, Travel, Within The Frame Adventures

Kathmandu 2012

Join me, and Jeffrey Chapman, in Kathmandu this November for Tihar, the Nepalese Festival of Light. We’ll be in Kathmandu for 6 days and Bhaktapur for 6 days. As many of you know, Kathmandu is one of my favourite places in the world, a place of colour and texture and life like few other places, […]

Jun 19th

2012

Comments Comments 12
CategoryPosted in: Craft & Vision, e-books

New eBook – Up Close

“If your pictures aren’t good enough, you aren’t close enough.” – Robert Capa UP CLOSE, the latest ebook out of Craft & Vision comes from Andrew S. Gibson and it’s packed. This is a really beefy ebook that combines the artistic and technical in a way that few of our books have done. In fact […]

Jun 14th

2012

Comments Comments 18
CategoryPosted in: News & Stuff, Rants and Sermons, Vision Is Better

From The Archives…

This post originally appeared as a guest post on Scott Kelby’s blog on May 13, 2009. I still believe this revolution is coming. Perhaps not for the photography industry, but for individuals. At least, I hope so… I believe we’re at a turning point in the way we, as an industry, approach our craft. Thanks […]

Jun 13th

2012

Comments Comments 27
CategoryPosted in: GEAR, Workflow & Technical Issues

Backup Questions Answered

Dave Delnea downloading images in Iceland, 2010. There’s some great discussion going on in the comments of last Friday’s post, Backups Revisited. I think the topic of backups warrants some attention. We talk so much about lenses and tripods and, frankly, spend a lot of money on this art, that it’s insane not to spend […]