In Part I of this article, I discussed ways to begin questioning your broader vision as a photographer. That discussion focused on what I would call macro vision; it’s the way you see the world and the way that works itself into your photographs. But what about vision on a smaller scale—the image-by-image scale? How do you look at a scene …
Best Places
After several years of photographing some truly wonderful corners of this planet I get more than a few emails each month asking me where are the best places to photograph in this city or that country. I try to reply helpfully, but what I want so much to say, without sounding like I’m being contrary, is this: there’s no such …
Four Ways to Discover Your Vision (Part I)
I believe every photographer has vision—to one degree or another, we all have it. Vision is the way we see the world; it’s what we want to say with our photographs, even when that’s just, “Oh my God, look at that.” How we translate our vision into our photographs is the subject of 100 blog posts about the visual language, …
Seeing Colour
This image is a photograph of two black gondolas on black water. We do not see things as they are but as they look, and the brain will do whatever it can to untangle puzzles like this. So many people will walk past this scene and others like it and never see it. Not truly. They will see it at …
The Photographer’s Tools
I believe now more than ever in this beautiful craft. I love its democratic nature, I love the way it uses such elegant raw materials: light and time. I love the mechanics, and the way the cameras feel in my hands. And I adore the final print. In fact the moment I’m done writing this I’m going to run some …
The End of What It Looks Like
I’m in Melbourne right now – my first time to Australia, and my 50th country. I’m speaking at the Nikon AIPP, an incredible convention filled with some wonderful people. Yesterday I gave the keynote address that opened the conference; it’s a fearful task to inspire people at 8:30am. It was a presentation I’ve been obsessing over for a couple weeks …
Exposing for Highlights
While people rush to buy the latest cameras with the highest dynamic ranges and the latest software that’ll allow simulation of the highest dynamic range possible, and there’s nothing necessarily wrong with that, it helps to remember that every limitation can also be a beautiful creative constraint. On the beach in Moeraki recently, and disappointed by the bright sunlight and …
Cringe
I often look at the work of a younger me and cringe at his decisions. His choice of moments was hurried and impatient. His composition was simplistic. His use of colour and composition was undeveloped. My god, he barely seemed to know what he was doing. No wonder he spent so much energy trying to convince himself he wasn’t an …
A Little More Defiance, Please.
One of the most heartbreaking things I hear from photographers, when I ask why they do not share their work, is this: who am I to put my work out there? Who wants to hear what I have to say? It’s heartbreaking for so many reasons, not the least of which is how often I hear it. From photographers, from …
Lens Caps
I’m not sure whether anyone needs to hear this or I just needed to say it. But it’s starting to feel like the spirit of our current time is fear and fear often leads us to build walls around our hearts, to do what we can to protect ourselves. And the thing that was meant to protect us quickly becomes …