What I’m about to show you is my favourite discovery of the year in terms of my workflow. I tend to do a lot of the same kinds of adjustments to similar photographs, especially when creating a body of work. I might globally add some exposure and contrast, tweak some colours, and then apply a mask to my main subject …
Stronger Photographs With One Decision
Watch the short video above, or keep reading if you prefer the written word. I think a lot photographers put all their creative eggs in too few baskets. They look to the work they do with the camera as job one, which it is. But it’s not the only job. It’s the sexy job, for sure. But it’s insufficient. Some …
3 Ways To Give Your Images Their Best Chance
Watch the 7-minute video above, or keep reading if you prefer the written word. In my last video I resumed a conversation I’ve been dying to come back to. Specifically: Why do photographers get so intimidated by the edit and the “now what?” that comes once we put the camera down? And are we missing important creative opportunities? For years, …
A Better Edit Makes Better Photographs
Take a few minutes to watch the video above or, if you’re more of a written word person, keep reading. When I came home from Kenya last year, I had a hard drive filled to busting with 30,000 images. I’d been photographing for 30 days, so that’s a daily average of 1,000 photographs which, it turns out, is really easy …
Study The Work of Others
In my last article, I suggested studying the work of others as one path toward making your own work stronger. To shoot what things feel like requires that we first have feelings about things but also to understand what possibilities exist for translating feelings into photographs themselves. It’s a conversation that could get touchy-feely really quickly, but if it gets too far …
Better Editing, Better Photographs
Click play to watch this 8-minute video I’d love to hear from you on this. Where do you find your greatest challenges when it comes to choosing your best work and doing something with them, staying organized, and doing all the work that happens beyond the shutter? If you feel like talking about it, drop me a note in the …
Perspective and POV: Change Mine By Changing Yours.
I talk to myself when I am making photographs—mostly mumbling, and it’s always questions. Questions like the ones I addressed in the last email I sent you about time, including “Could I leave and find something else? Could I wait a little longer?” Questions about light as well: “Could I be more creative about this, perhaps by underexposing?” And there are …
Motion? Make Me Feel It.
I don’t do rules very well. But I’ve got a couple of my own that come pretty close to inviolable. Don’t clean your sensor with your tongue is one such great rule. Very practical. In Bosnia, I was once given a large jar of honey that I thought would be better protected in my camera bag than anywhere else (I …
Further Thoughts on B&W
I’ve been hosting Heart of the Photograph virtual lectures for camera clubs around the world over the last couple of months, and one of the questions I seem to get after every one of those lectures is this: How do you approach your black and white work? The question comes in many forms, and now seemed as good a time as any to revisit …
What Makes the Image Work, Part 2
This past Sunday, I introduced you to a photograph of mine and sent you to my blog to discuss it, asking questions about the decisions I made and the effect of those decisions. I’ll keep this message short because I said most of what I want to say in the video I’m about to show you. But if you missed …