I have an early memory of going photographing with my dad on a morning after a big ice storm came through. It was just after Christmas, the storm had knocked out power to much of the area, and the streets were thick with ice, impossible to drive on. I finally had my first “real” camera, an SLR with interchangeable lenses, …
Stop Looking (Only) for Subjects?
I went to Kenya last month with the usual mix of excitement and worry. Excitement for all the normal reasons, not the least of which was being in front of wonderful things in beautiful light with my camera in my hand. Worry because I really didn’t want to come back with different versions of the same photographs I’ve made before. …
6 Ways to Be Less Un-Ready
This post is accompanied by some of the work I shot over the last 4 weeks in Kenya. What a trip it’s been. I hope you enjoy the images! My grand-dad was a Scout. At the time he was the highest decorated man in the scouting movement in the UK, a movement whose motto is “Be Prepared.” I like to …
Are Your Shoulds Hurting Your Creativity?
I ask myself a lot of questions as I make my photographs. What’s this scene really about? What do I include, and what do I leave out? What possessed me to get up at 5 am and sit in the rain? Those kinds of questions. Like you, I also ask myself what I might do with my exposure, how I …
Between What If? and What Now?
I once wrote that “what if?” was the central question for creative people. I also once wrote that our expectations of what we hope for—of a place, a subject matter, even an idea—can blind us to the reality of it. You show up in Venice to photograph the city in fog and experience agua alta, the high flood waters of …
Change Your Lens, Or…?
Imagine this: we’re side by side at a local pond, a thermos of coffee between us as the first light comes up. You’ve got your camera with a 24-105mm lens. I’ve got mine, too, but chose to bring my 300mm lens instead. As we set up, you say you wish now that you’d brought a longer lens. “Funny,” I say, …
The Golden Merganser: About the Image
My best photographs are usually a surprise to me. Long after I’ve made them, they feel familiar and almost inevitable as I look back on them, but not one of them could I have really ever anticipated at the time. The light, the composition, even the subject—I often never see them coming. Sometimes, the surprise is that the image even …
Real Photographers Do What?
Of all the prescriptive nonsense I hear about making photographs, the idea that “real photographers shoot on manual” has to be the most tiresome. As if burdening photographers with an even greater sense of obligation to the shoulds and the should-nots has ever led to greater creative freedom, less rigidity in our work, and more powerful photographs. I’ve heard similar …
Recalculating the Creative Life
I recently read of a 19-year-old football player, a goalkeeper for Real Madrid, who was in a serious car accident and left unable to walk for two years. The story caught my attention because it was 14 years ago this month that I had my own accident, which shattered both my feet, cracked my pelvis, and left me unable to walk with a long road …
Make It Different, Make it Yours.
One of the great photographic challenges is making a photograph that is different: different from what others are making and different from the images you’ve made so many times before. Taking the same photograph over and over doesn’t appeal to me. I want to go further, learn more, and get closer and closer to images that feel uniquely my own. I’m …