Another question from my recent Q&A on Facebook. Some of the questions needed more time and space to answer, this is one of those: How do develop from taking random images to working on projects? What makes a good project? When is it finished? First, I think it’s important to recognize that there are no rules on any of this. …
Personal Projects
Mongolia series. 2012. Hasselblad and some old film. There’s a lot of talk among photographers about personal projects. I assume, by this, we mean projects that are not for clients, though I’ve tried very hard to never do a project that is not in some way also personal. Life’s too short. For me the key word isn’t “personal” because that’s …
Composition & Questions
We often talk about composition as though its something that can be done right or done wrong. When you look at it in those terms photography is not about expression, but about following the rules. The best thing I ever learned on the photographic journey was this: there are no rules. None. Nope, not even the rule of thirds. No …
Impressions & Abstracts
Next week we’re releasing my next eBook – The Visual Imagination, a book about creative techniques and ideas that focuses mostly on impressionism and abstraction. Yesterday I was doing a pre-release podcast interviews, talking to Ibarionex Perello, the amazing voice and mind of The Candid Frame, and he asked me the one question I’m so fond of asking others. Why? …
In the Zone
In my last posts I talked about my reactions to working with both my Fuji XE-1 and Leica M, and I mentioned zone focusing. For those for whom the idea of zone focusing is new I wanted to explain it a little. It’s an old technique but it’s simple and reliable. My biggest concern with Leica, and the Fuji when …
On Luck & Trenches
There’s a terrific recording of an excerpt from an interview with photographer Robert Capa (1913-1954) making the rounds right now. In it he describes the making of one of his most iconic photographs (above) and the role of luck in its creation. Capa says he raised the camera as the soldiers were climbing out of the trench to storm the …
Studying Masters
In my Created Image video, one of the things I strongly advocate is studying the masters. I think finding those masters, the ones with whom you truly resonate, and finding them yourself, is part of the fun. I’m always hesitant to tell people to study this person or this person, because the list of photographers I myself don’t know, photographers …
New Podcast Coming
A couple years ago I did a podcast with Peachpit called Within The Frame. I did 20 episodes and still get weekly requests to do more. Until now I just didn’t feel the love I want to have for a project in order to sit down and do it. Now I have the love, and the time. So we’re launching …
On Authenticity
It’s been a while since I wrote about vision and voice in the life of the photographer. Recent conversations have pulled me back into those old discussions we used to have here on this blog. One of those recent conversations was with someone wrestling with the idea of authenticity. Was her voice authentic? And how much mucking around with new …
Toward Mastery
I’m uncomfortable with the notion of mastery. It’s not that I don’t believe we can’t, in some broad way, master a craft – gain a level of comfort and expertise that the tools become an extension of ourselves and we wield them purely through muscle memory. I do. In fact if it’s that comfort that’s an indicator of our approach …