Jan 22nd


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CategoryPosted in: GEAR

The Mirrorless Post

Fuji XE-1, 1/10 @ 2.8, ISO 6400, handheld.

I’m convinced. After a week in Lalibela, Ethiopia, and a safari in Kenya, I’m ready to leave my heavy pro DSLR gear at home more often. I went to Ethiopia with a Fuji XE-1 and a Leica M (240), both with a small kit of lenses (18-55 and 55-200 for the Fuji, and 21mm, 50mm, and 75mm for the Leica), and went mirror-less all week. It wasn’t my first time going so light. The last time I went to Italy for a month I brought only the Fuji and 2 lenses, but that trip had less hanging on it, and the conditions were less taxing. Below are my thoughts, in no particular order, after giving these cameras a run for their money. But first, the usual caveat: I like gear. I like the way it feels in my hands when it feels right. I like gear that gets out of the way as much as possible. But I’m OK with constraints, I know there is no perfect camera, and ultimately cameras don’t make photographs – photographers do. So don’t look for pixel-peeping here. And don’t look for me to tell you to get rid of your DLSR gear. For some that might be a great move, for others not so much.

It was only a few years ago I was lugging 2 pro-size DSLR bodies and a kit of large, fast, heavy lenses. It wore me out. It made me take myself too seriously. It made me stand out in a crowd and intimidated others. And since breaking my feet in Italy I find walking tough and struggle to do my job with such heavy gear. What a relief, then, to walk all day with two much lighter rangefinder bodies and a couple lenses. I hardly noticed it was there. And when things got really tight, it was easier to manoeuvre without the bulk of large holsters at my side. I could stay out longer, walk further, and enjoy myself more – and this translated to more opportunities and fresh eyes to see those opportunities when they arose.

Fuji XE-1. 1/100 @ f/4.0, ISO 800.

The Fuji XE-1
I really like this camera. It makes beautiful 16mp digital files and performs well in low light up to about 3200, which is where it maxes out for me, at least in colour. But for a guy who used to very reluctantly go up to ISO 800, this is about as much latitude as I need. The focus is fast enough for me for the kind of work I was doing, and when it nails the focus it nails it well. I understand the XE-2 is even better. Remember, I’m not photographing sports or fast-moving subjects. But I didn’t once feel it couldn’t keep up with me (if I’d had longer lenses I’d be trying for images that might quickly have shown the limitations here.) The available lenses are excellent for as light as they are, and I could happily photograph 80% of the stuff I love to photograph with just their 14 or 18mm. I’ll be looking into their 24mm (roughly 35mm) when I get home, in part because it’s faster, and in part because it’s one of the few lenses Fuji puts a focus scale on (the other is the 14mm), and that’s a no-brainer to me. If you want to access other lenses, there are adapters to use the Leica M lenses, but then you’re manual focus only. Both the Fuji and Leica are also more discreet – even in burst mode they’re much quieter. Want something even quieter, get a Fuji x100s. Almost silent.

What don’t I love? Well, it’s quirky. It’s a small camera and there are a few too many little buttons. I can’t tell you how many times I end up in Macro mode accidentally. The dials turn a little too easily and I’ve often ended up with my EV compensation dial at +2 or -2 when I didn’t put it there. And then there’s the display in the electronic viewfinder. Move the exposure around all you want and there’s no apparent change to the image, nor to the histogram that’s displayed. My Leica shows real-time adjustment on the LCD or EVF, and the histogram changes too. With the Fuji I need to make the image, then look at the histogram on the resulting image during playback – it’s very clunky. And thought I understand the location of the button has changed, I find the weird manual gymnastics I have to do to change my focus point, and with both hands no less, frustrating. Oh, and when you shoot in burst mode – either 3 or 6 fps – it’s really, really awkward to look through those frames. For whatever reason only God and the weird engineers at Fuji know, the burst shots are clustered together and not viewed as individual frames. It’s like their stacked in their own group and you’ve got to go through yet another series of counter-intuitive (to me) button-presses. I shouldn’t need to know a secret handshake to look at my images. But when I do, the image quality is staggering and that, combined with the small package and reasonable price, is why people are flocking to the Fuji. Exceptional image quality.

Leica M (240). 1/60 @ f/4.0, ISO 800

Leica M (240). 1/60 @ f/5.6, ISO 800

The Leica M (Type 240)
What a beautiful camera to hold and photograph with. A manual-focus-only camera, it takes some getting used to but I see myself using this happily, even as my main camera, for years to come. It’s like the cameras I grew up using and I’m amazed at how muscle memory has kicked in. I can work really fast with the Leica after only 3 weeks. The ergonomics work for me, the image files are beautiful, and as long as you don’t ask it to do much in low-light, it’s amazing. Even then, I like a little grain and I shot a balloon launch at 6am in near darkness @6400 and the files are better than I expected. And when you can hand-hold this and get sharp images at almost 1/2 second shutter speed, there are times I just don’t need the higher ISO.

I used a  Leica 21/3.4 lens for almost the whole trip and quickly got used to zone focusing and just raising the camera to my eye and shooting. I use the EVF (electronic viewfinder) that’s available separately, and with it I get an in-viewfinder histogram, an accurate sense of my framing, and the ability to hinge it up and shoot from my chest while looking down. Is it expensive? Yes. Is it worth it? For many people, maybe not. And until I started working with this Leica M, I was ready to just use Fuji, and for the price of the Leica and one lens you could get 2 Fujis, every lens they make, and have money left over to go somewhere amazing. But a couple weeks with it and I’m hooked. You can pry it from my cold dead fingers, if you’re willing to fight off my ghost. For me, it’s that amazing. But it’s pricey and the lenses are astonishingly expensive.

So why the Leica at all? Why spend so much on a camera? Without doubt the images are beautiful within certain constraints. But, with apologies to the purists, so are the images from the Fuji. Different, but beautiful. For me it comes down to process. It’s the reason craftsmen all prefer one tool to another. It fits better in the hand, gets out of the way when it matters, and allows me to work the way I work best. For me that’s the beauty of the Leica. It’s simplicity is worth a premium to me. I like that the buttons and dials are kept to a minimum, and I like that when I use zone focusing and I nail it, the Leica is faster than any of my DSLRS in terms of seizing the moment. All of that means I am more present in the moment and that is more important to a photographer than anything. Whatever camera does that for you is the right camera. Little else matters.

One of the barriers to my getting a Leica rangefinder before (aside from the price) has been the focusing. It’s fully manual and I’ve never found focusing a rangefinder as easy as I’d like. A friend of mine recently told me his efforts to focus his M8 were like a monkey f*cking a football. I’m not sure what that means but it paints a picture. That’d be one frustrated monkey. With the M, the electronic viewfinder (an additional accessory) and LiveView on the rear LCD helps enormously. I still use the traditional optical viewfinder to focus at times, but when using the EVF and LiveView there’s now a focusing assist which zooms in to 5x or 10x the moment you touch the focus ring, and focus is confirmed with focus peaking, the in-focus edges being highlighted with red. Combined with zone focusing (I’ll discuss this in a future article) the only other thing I needed was mindfulness, and this camera allows me to remain in the moment beautifully (as long as the EVF doesn’t hang, which it does once in a while, requiring a quick on and off of the camera).

Leica M (240). 1/90 @ f/8.0, ISO 800

Leica M (240). 1/15 @ f/8.0, ISO 500

Going Mirrorless
Going without a mirror is not the point. It’s the advantages these smaller cameras bring, and more and more those advantages are ours without the loss of image quality that (among other reasons) once drove us to larger DSLRs. Will I ditch my DSLR gear? No. I’m not really a one-or-the-other guy when I don’t have to be. For the foreseeable while there will be times I want my tilt-shift, super-telephoto, and macro lenses. I’ll want the DSLR kit for the weather sealing, too. My next safari will be made with two systems – the Nikon with the largest lenses, and the Leica with a couple primes. But would I do a trip like this, or Lalibela, or Italy, or even the Yukon trip I did this year, with just the Leica and Fuji? I sure would. As long as weather sealing, large lenses, and really rapid bursts were not needed.

Are the Fuji or Leica the only mirror-less options? Not at all. There’s also Olympus. And Sony. And Panasonic. All making mirror-less cameras with pros and cons. For me the Leica wins for image quality and feel, but before I started using it, I was really, really happy with the Fuji. Others are faster (Olympus OM-D is crazy responsive and has killer optics) or house higher-resolution sensors (Sony and Leica use 24mpx, which is a sweet spot for me, and Sony too has amazing lenses), so you’ll decide on what matters to you and get the camera that works for you. Get it into your hands, play with it, and know what matters to you. But remember, it’s really, really unlikely that your new camera will make you a better photographer – that’s your job.

The hardest part of the transition, and my biggest question, was about confidence. Were these cameras going to be able to give me the images I wanted? Could I trust them? The answer has been a resounding yes. It took a while but I’m happily there now. The switch to an electronic viewfinder also took a little time, but now that I’m used to it, I love it. The quirks of the Fuji still make me a little crazy – I can go from “I love this camera!” to wanting to throw it out a window, pretty quickly. But I’m learning.

Since most of you are more interested in my reaction to the Fuji, here’s my final word on it: I love using it (despite the quirks, which are not few). I love the images it makes. I like the growing lens selection. With an exclusively electronic viewfinder, the batteries run down faster than I’d like, so I carry a few more than I think I’ll need. Out of the box it’s lighter than I like and feels hard to hold – so I added a Really Right Stuff L-plate and grip. The strap it comes with is way too short and I hate branded straps, so I got a beautiful leather sling from Cub & Co. 16mp is fine, but I’d prefer 24mp, particularly as I often crop to 4:5, 1:1, or 16:9. A few more pixels would be great for those bigger prints. A 24mp, full-frame Fuji XE-3 would have me at hello.

For the vast majority of my work for the foreseeable future, I’ll be using my Leica with Fuji gear on the other shoulder. I’ve lost nothing in image quality for the kind of work I do, and the contexts in which I photograph. I’ve gained freedom. Some will find that freedom in larger DSLRs, I find it now in the lighter gear. My final recommendation: if the idea of working much, much lighter is appealing, then we’re at the point where the smaller cameras are well worth looking at for many applications. The Fuji XE-1 or XE-2 is a great place to start that search. If the idea of working light, and with the greatest simplicity, appeals to you – and your budget allows it – the Leica M (240) is a beautiful, beautiful camera, and with it Leica becomes a truly workable tool for me, for the first time.

Remember, it’s about the right tool, in the hands of each craftsman, for the job. For some the Fuji, or another mirrorless option, will do it all. For others, especially photographers working where longer lenses, fast action, and harsher conditions are an unavoidable consideration, they might remain an attractive second system for work that doesn’t demand as much.

Wow, that was a lot of words! I know this is a bit of a jumble of thoughts. I won’t be getting a gig doing camera reviews any time soon. Still, I hope it’s helpful. Any questions? Just don’t make them too technical, there are others much more suited to that dialogue than I am.

*Update – You’ll see it in the comments but it looks like a firmware update for the XE-1 was released since I left home and it addresses some of the software-based issues, like real-time exposure previews and the viewing of burst mode stacks. Brilliant. Thanks for the intel, friends. Much appreciated!

Dec 28th


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CategoryPosted in: GEAR, Travel

Mirrorless to Africa

In a couple days I fly to Africa for almost 6 weeks. A week in Lalibela, Ethiopia, then to Kenya to spend 10 ten days in my beloved Maasai Mara to take my mother on her first safari, and then to Zanzibar for over two weeks to get my scuba certification and spend time with […]

May 12th


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CategoryPosted in: GEAR, News & Stuff, Travel

Italy and the Fuji XE-1

I spent three weeks in Italy this month, making photographs, teaching, and looking for great food and wine. I took with me the Fuji XE-1 and two lenses, the 14mm and the 18-55mm, both from Fuji. I took them because I wanted a light kit, because for places like Venice I just won’t walk around […]

Feb 14th


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CategoryPosted in: GEAR, Travel

Favourite Travel Accessories

I spend enough time on the road each year to give the stuff I travel with some serious consideration, but travel’s tough enough on us that anyone that spends much time living even a little nomadically can benefit from the best gear. Here’s my favourite travel stuff these days. It fits the way I live […]

Feb 3rd


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CategoryPosted in: GEAR, Images, Travel, Tutorials &Technique

Northern Kenya on White

The images above are another sample of the photographs from this last month’s work in northern Kenya. I wanted something simpler than the environmental portraits I’ve done in the past. Something that isolated my subjects from their contexts and showed them, and their emotions and character, elegantly. Before I left I talked to the folks […]

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