Vision Is Better

Left & Found

Left & Found I and II, Liguria, Italy 2013

I started a new project this weekend, excited by the possibilities and driven by the need to just get my work out there. So often I think we pull back from sharing our work for fear of the cost, fear of a loss of control, fear of theft, fear of rejection and God knows what else. And so it sits on hard-drives, sits on shelves. I want mine out there, and last year at one of our Vancouver Gatherings someone asked me for some ideas on sharing and I threw this one out: print your work and leave it somewhere. A random act of guerilla-style spreading of beauty. If what you really want is just to share it, why not?

And then the idea kept poking at me until I was sitting at Milano, the coffee shop in my new neighborhood in Vancouver’s Gastown, reading a book about ideas and creativity and out of nowhere it came back, this time with a name: Left & Found. So every month I’m printing between 20 and 40 prints in an on-going limited edition series. All about 8×5, they’re printed on fine art paper, hand-signed and numbered, and I’ve written a small URL on the back so people can find more information about the Left &Found project. The first ones get placed this week. In a year I’ll have put almost 400 prints out there, left on coffee shop tables, counters, in restaurants and shops – to be found, enjoyed, overlooked, torn, bent, collected, adored, misunderstood, or whatever else happens to our art when we release it into the world to take on a life we could never have foreseen.

It’s not much, but the more I do this the more sure I am that the question, “How can I make money at this?” isn’t remotely as interesting as a simpler question: how can I create work I love and share that work in new ways?

Planning Is Just Guessing. But With More Pie Charts and Stuff.

I taught at VanArts this morning, by which I really mean I talked for two hours and hoped those beautiful young minds would learn something from my string of disconnected thoughts. One of the things I  talked about, though with my tendency to digress, I have no idea which rabbit-hole I was down when my [...]

Faking It.

Ice Abstract, Peggy’s Cove, NS. 2012. Every artist I know, particularly those who feel uncomfortable calling themselves artists, feels like they’re faking it. In those moments when I’m totally transparent and feeling brave,  I’ll tell you it’s one of the two fears with which I wrestle daily – the first that one day I’ll wake [...]

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