Ten galleries of images representing David's work, both personal and professional, over the last 8 years.


If you've tried the books about gear and long for something more, David's poured his heart into 20 books and ebooks for you.


Two carefully curated collections of 24 beautiful fine-art prints and folios for your walls or your personal collection.

Oct 3rd


Comments Comments 15
CategoryPosted in: The Big Q

The Next Step

Q: I’m a nature photographer with what I’ve been told is a reasonably solid portfolio, and I blog fairly regularly. I make a little money with my photography, but I think I could do more to increase the income a bit. I’m ready to take the next step toward living my dream. I need to market myself beyond my local area, but I just don’t know where to begin, since like other photographers, I suck at self-promotion. WHO do I reach out to and HOW do I approach them? Suggestions appreciated. ~Ron.

A: Ron, thanks for the willingness to be honest about this stuff. I hope you’ll be OK with a little tough love, because I’m not sure any amount of beating around the bush is going to help. All the same, this is just my opinion. Take what resonates, sleep on the rest, then discard what doesn’t stick.

First, your portfolio is full of nice images. Fine images. Technically competent images. But I don’t get a sense of what sets you apart from any other photographer out there that is shooting pretty landscapes. The next step for you might first be the pursuit of some deeply personal projects, and the struggle to create bodies of work that work together in a more powerful way than your images do now. You might sell a few of these images, but if you want to place them consistently in larger publications or curated stock libraries, you’ll have to give them something more. That something, I truly believe, is you. More of you. I don’t know how to tell you to do that, but I don’t sense you’re taking risks, or telling stories you are passionate about. I don’t get a sense of depth and for the most part see nothing – yet – that I’d call an identifiable style. Style isn’t something to strive for, it’s a by-product, but it matters. Nevertheless, that’s a lifelong journey. You’ll strive for this for the length of your career. But if I can be crass, I don’t get a sense that you’re shooting with your balls.

Second, if you suck at self-promotion it’s not because you lack the genes. I hear this from photographers so much and it drives me nuts. What most of us mean is “we haven’t taken the time to learn to promote ourselves,” or “we haven’t taken the risks required to put our work in front of new audiences,” or, “we haven’t been creative enough and we stopped when we ran out of our first ideas.” So I’m going to bounce the question back to you, but I’m going to reverse it because you can’t know HOW until you know WHO.

Who do you want to work for? All of this stuff, selling our work to any audience, comes down to this – what value do you offer to them? What itch do you scratch for them? What audience has that itch more than others? Is it magazines? Is it postcards? Stock? Is it prints on the walls of doctors and dentists? Is it prints in a local gift shop selling to tourists? Is it all of those and some I’ve not mentioned? Hopefully you’ll cast your net wide and see what lands. But until you’ll come up with a list of possibilities, and then go and talk to them – it’s basic research – about what they need, you can’t know how to make a valuable offer, or pursue mutually beneficial collaborations. Every audience is different. They all have different needs, and we can meet some of those better than others. Find those. Get to know them. Meet people. Have honest conversations. This is all – all of it – a relational game. Yes, you need – NEED – to have something they want, and that’s partly a really great product or service, but it’s also how you bring that product to them.

So my suggestions? Work your ass off on bodies of work that make you deeply happy and be so good at it that people take notice. Then find a way to make that work valuable to an audience. Make a list of your top 20 possibilities. Then hit the bricks. Talk to those people. Take them to coffee. Ask them the hard questions: would you pay for this work? Does it have value to you? Would your customers see value in this work? Am I missing something? How can I serve you?

Find an audience with an itch that you are excited about scratching. Then do that every day in every way you can think of. Serve them relentlessly. Listen to them relentlessly.

All sales comes down to an honest, relational, scratching of itches. Find an audience to whom you bring value. Maybe it’s not direct sales of prints or licences. Maybe it’s live lectures because your photography is good but combined with your public speaking, it’s a killer combination. Maybe it’s not finding clients at all, but teaching others. However you do it, it’ll be different from the way anyone else does it. No systems, no shortcuts. In my experience, photographers – otherwise very creative – don’t get creative enough with their thinking on this stuff. Easier to just think about our next lens purchase, right?  Many, many photographers struggle with this, and it’s not always because they don’t have amazing work – in fact there are plenty of rather mediocre photographers (relatively speaking I’d include myself in this category) making a good living because we hustle and we think creatively and we don’t give up when the first ideas, all the obvious, low-hanging fruit, haven’t worked.

The next step, my friend, is to go all in. And to keep at it. Find an audience with an itch that you are excited about scratching. Then do that every day in every way you can think of. Listen to them relentlessly. Serve them relentlessly.

If you want more of this, Ron, check out my books: VisionMongers, Making a Life and Living in Photography, and How To Feed A Starving Artist.

 While I’ve got the time I’m trying to be more available to my community. If there’s something you’d like to engage with me on, leave a question in the comments. I’ll try to answer all that I can – some in the comments themselves, some as blog posts. Ask me anything.

Sep 30th


Comments Comments 2
CategoryPosted in: Books, Craft & Vision, e-books, Vision Is Better

Vision is Still Better

Several years ago I was asked if I’d consider doing something like a yearbook for my blog – a curated compilation of the best stuff, minus the posts where I introduce a new book or workshop – so that people could access my stuff offline in an easy-to-read kind of way. Vision Is Better, the […]

Sep 30th


Comments Comments 13
CategoryPosted in: The Big Q, The Craft, Vision Is Better

Bodies of Work

Another question from my recent Q&A on Facebook. Some of the questions needed more time and space to answer, this is one of those: How do develop from taking random images to working on projects? What makes a good project? When is it finished? First, I think it’s important to recognize that there are no […]

Sep 28th


Comments Comments 7
CategoryPosted in: Creativity and Inspiration

Finding Your Mojo

A friend and I, looking for our mojo on Prince Edward Island yesterday. Sometimes we find it, sometimes we don’t, but the search is our job. Last week I spent some time on Facebook answering questions. It was a lot of fun, and something I’d like to do more often. One question that came up […]

Sep 18th


Comments Comments 18
CategoryPosted in: A Beautiful Anarchy, The Life Creative, Travel, Vision Is Better

A Bigger Story

Dusk. Fogo Island, Newfoundland. 2014 Do you know why Apple succeeds the way it does? OK, aside from sexy products? They tap into something bigger than technology. Sure, they’re a technology company, and you either love them or hate them, but they aren’t selling phones or computers. They’re selling a narrative. They’re selling Think Different. […]