Make It Different, Make it Yours.
One of the great photographic challenges is making a photograph that is different: different from what others are making and different from the images you’ve made so many times before. Taking the same photograph over and over doesn’t appeal to me. I want to go further, learn more, and get closer and closer to images that feel uniquely my own. I’m …
Over the Shoulders of Giants?
Years ago, I took my battered Land Rover Defender (that’s Jessie in the picture above) to the Racetrack Playa in Death Valley. I’m sure you’ve seen photographs of the playa: rocks sitting on parched earth and cracked mud, long trails behind them as if they’ve moved on their own. This fascinating phenomenon of what are called “sailing stones” is explained …
My Keeper Rate is Getting Worse
I have over 400,000 photographs on my hard drives. Of those, only 2,000 images have been compelling enough over the years to consider them final photographs or “keepers.” I suspect I’d have even fewer if I went through them all now. That’s a so-called keeper rate of 0.5% or less. After almost 40 years behind a camera, only half of one percent of …
What’s in My Bag?
The right gear matters. I get a dozen emails a month that start with “I know you don’t like to talk about gear, but…” So let me stop you right there. I love talking about gear. As long as we’re talking about gear in terms of how it allows us to make the photographs we want to make, and doesn’t …
Mwangaza: Light!
Lying in a mud hole, looking up at a white rhino snuffling just inches from my camera, I was having a tough time not giggling or wetting my pants. I might have been a little nervous, but mostly, it was the thrill and the absurdity of it. To be this close to a massive rhinoceros with no remote gear—just me and …
The Long & The Short of It
Among wildlife photographers, it is the long lens that gets all the glory. The bigger the glass, the more serious one is assumed to be about one’s craft. Less a tool than a symbol, sometimes, the bigger telephoto lenses telegraph to the world that we mean business. How I envied those photographers as a younger man, how incredible I imagined …
It’s Not a Photograph. Yet.
My Land Rover pulled up just in time to watch the lions finish their meal. What remained had once been…what? A zebra? It’s sometimes hard to tell. Whatever it was, it’s mostly gone now. “We’re too late,” I hear someone say. “Nothing to see here.” Maybe it was the voice in my head. But hang on a moment. In the …
Packing For An African Safari (Updated)
The notes below are specific to Kenya but having done safaris in Zimbabwe and South Africa as well, most of these suggestions apply just as well to other places. I’ve been asked over the years, both by my safari clients and others, what and how to pack for a trip like this, so it felt like this might be a good time …
The Problem with Mood
I do a little moonlighting for a small computer and imaging company that rhymes with Snapple. They are under the mistaken impression that my nearly 40 years behind the camera means I know what I’m talking about. Still, I like the challenge. One of my first tasks as their Creative Storytelling Specialist (yeah, I don’t know what that means, either) …
The Power of Mood
Photography can be many things. For some, it’s about capturing scenes. For me, it’s about conveying emotions and suggesting narratives that resonate deeply, first with me and then with the viewers who might experience the image. I’m not so much after eyes as I am hearts and minds. Mood does that. The mood of a photograph is its emotional tone—a …