The Power of Mood
Photography can be many things. For some, it’s about capturing scenes. For me, it’s about conveying emotions and suggesting narratives that resonate deeply, first with me and then with the viewers who might experience the image. I’m not so much after eyes as I am hearts and minds. Mood does that. The mood of a photograph is its emotional tone—a …
The Perfect Camera Bag?
I am embarrassed by how many camera bags I own. Unlike the cameras and lenses that have come into my life and served their purposes before being sold to find a new life with someone else, my camera bags seem to have entered the house through a one-way door. Perhaps you share my shame. Tidy to a fault in other …
Are You Pushing the Right Buttons?
I have a confession: I only know what 5% of the buttons, dials, and menu items on my camera do. I haven’t done the math; I’m guessing it could be even less than that. But I know that my first cameras only had the ability to focus, select the aperture, change the shutter speed, and specify the ISO. The menu options …
Blinded By What You Don’t See.
There’s a curse among photographers, if you believe in such things (curses, that is, not photographers), and it’s this: Sometimes what we do not see can blind us to what is in front of us. Go somewhere with a certain kind of photograph in mind and you might look so hard for that kind of image that you never see …
Part 2: What Makes The Image Work?
On Sunday, I showed you one of my photographs and sent you to my blog to discuss it, asking questions about the decisions I made and the effect of those decisions. Thanks to everyone who chimed in! The point was to get you thinking about the all the many choices we make in order to create one photograph. I promised …
What Makes the Image Work?
My cousin James had a reputation as a kid for taking things apart. One Christmas he dismantled down to the wiring every gift he was given. Remote-control cars? Give him 20 minutes, and there would be nothing left but a pile of tiny screws, little motors, and the tears of his mother who probably should have known better than to give him …
My Remote Camera Set-up
This is a quick one but I’ve had some questions about the way I photograph bears and rhinos so close without frightening the animals or jeopardizing my own safety, so I’m posting this as a place to direct people interested in this. Please don’t read this as a review or an endorsement, just a guy telling you what’s working for …
More Interested, More Interesting
A couple of weeks ago, I was sitting on a river, happily photographing grizzly bears. After a two-day drive and a quick turnaround at home, I was off to San Francisco to sign 1,000 copies of the hardcover special edition of my new book, Light, Space, & Time: Essays on Camera Craft and Creativity. I also spent time with my publisher and …
Light, Space & Time
My newest book is just about to be released, and there are a couple of ways to get it, including getting one of only 1,000 signed special editions and even picking it up in person if you’re near San Francisco. But give me a moment to talk about the book itself. Despite the wildlife photographs that illustrate the book, Light, …
Show Me Less to Show Me More
As a photographer who learned his craft before autofocus became a truly reliable technology, my earliest challenge was focusing the lens. Those who picked up photography after the cameras could focus faster than we would ever be able to do ourselves won’t know the frustration of that particular learning curve. But focusing the lens was never so hard as learning …