How is it that two photographers can stand in the same place and make two very different photographs? What accounts for the frustrating reality that, in that moment, one photographer can make something truly compelling and beautiful while the results of the other’s efforts are underwhelming? Surely it can’t be just better gear. Sometimes it’s different gear. Different gear represents different possibilities, …
Want Different Results? Try Different Things.
Landing in Nairobi last month, my usual fears were running amok. Would my luggage arrive with me? Would I have problems at customs? Would the bartender at the first camp be able to make me a decent Old Fashioned, of which I was desperately in need? You know the ones. But most heavy of all, the one weighing me down …
To Make Better Photographs, Study More Photographs, Part Two
The first installment of this two-part series began an exploration of the way in which we study a photograph, first to experience it and then to learn from it. If you missed it, you can read the first part of To Make Better Photographs, Study More Photographs here. The main point in that first article was this: our first point …
To Make Better Photographs, Study More Photographs, Part One
I started this craft innocently enough—purchasing on a whim a Voigtlander rangefinder with a fixed 35mm lens when I was 14—but by the time I was 16 years old, I was hooked and desperate for something with a few more options. I wanted “a real camera.” I have no idea where I thought my mother would get the money for …
Making the Poetic Image, Part Two
You wouldn’t be wrong if you called the last article I posted a bit of a “think piece” and wondered when the more practical advice was going to show up. Think of that last one as a nudge towards considering why an intentional use of composition is important if you want to make images that don’t just show us what …
An Iconic Photograph, or a Photographed Icon?
Talk to any traveling photographer for long and the words “iconic photograph” will come tumbling out of their mouth as surely as a bus-load of tourists with selfie-sticks will spill out the moment you arrive at a destination and set up a tripod, thrilled to be there alone. As goals go, it sure beats wanting nothing more from our images …
Composition & Questions
We often talk about composition as though its something that can be done right or done wrong. When you look at it in those terms photography is not about expression, but about following the rules. The best thing I ever learned on the photographic journey was this: there are no rules. None. Nope, not even the rule of thirds. No …
3 Versions: Discuss.
I recorded a new episode of About the Image this afternoon. Episode 14. It’ll be online in a couple weeks, I think. But I wanted to post the images here. 3 different versions. If you want to play, here are a couple questions to consider: How does the top image use shadows as a compositional tool? What does the choice …
About the Image, Episode 11.
The latest episode of About the Image just went live – this time it’s a 12-minute discussion about cropping and aspect ratios, among other things, using a seascape submitted by Josh Riggs. You can find the video podcast, free, here on the Craft & Vision website – or you can subscribe via the RSS feed from Vimeo – via this …
New Podcast Coming
A couple years ago I did a podcast with Peachpit called Within The Frame. I did 20 episodes and still get weekly requests to do more. Until now I just didn’t feel the love I want to have for a project in order to sit down and do it. Now I have the love, and the time. So we’re launching …