On Sunday, I showed you one of my photographs and sent you to my blog to discuss it, asking questions about the decisions I made and the effect of those decisions. Thanks to everyone who chimed in! The point was to get you thinking about the all the many choices we make in order to create one photograph. I promised …
What Makes the Image Work?
My cousin James had a reputation as a kid for taking things apart. One Christmas he dismantled down to the wiring every gift he was given. Remote-control cars? Give him 20 minutes, and there would be nothing left but a pile of tiny screws, little motors, and the tears of his mother who probably should have known better than to give him …
More Interested, More Interesting
A couple of weeks ago, I was sitting on a river, happily photographing grizzly bears. After a two-day drive and a quick turnaround at home, I was off to San Francisco to sign 1,000 copies of the hardcover special edition of my new book, Light, Space, & Time: Essays on Camera Craft and Creativity. I also spent time with my publisher and …
Light, Space & Time
My newest book is just about to be released, and there are a couple of ways to get it, including getting one of only 1,000 signed special editions and even picking it up in person if you’re near San Francisco. But give me a moment to talk about the book itself. Despite the wildlife photographs that illustrate the book, Light, …
Stronger Photographs With Just One Decision
Watch the short video above, or keep reading if you prefer the written word. I think a lot photographers put all their creative eggs in too few baskets. They look to the work they do with the camera as job one, which it is. But it’s not the only job. It’s the sexy job, for sure. But it’s insufficient. Some …
3 Ways To Give Your Images Their Best Chance
Watch the 7-minute video above, or keep reading if you prefer the written word. In my last video I resumed a conversation I’ve been dying to come back to. Specifically: Why do photographers get so intimidated by the edit and the “now what?” that comes once we put the camera down? And are we missing important creative opportunities? For years, …
A Better Edit Makes Better Photographs
Take a few minutes to watch the video above or, if you’re more of a written word person, keep reading. When I came home from Kenya last year, I had a hard drive filled to busting with 30,000 images. I’d been photographing for 30 days, so that’s a daily average of 1,000 photographs which, it turns out, is really easy …
The Best Photography Advice I Ever Got
As far as photographic advice goes, this one is a favourite: don’t shoot what it looks like; shoot what it feels like. It sounds like something I would say, doesn’t it? It’s not my original quote, but it is very poetic. I don’t even remember when I first heard it, but it sure struck a chord. I had found my …
What Makes An Image Work (Part 2)
Last Sunday I posted a photograph on the blog, and in The Contact Sheet email, inviting you to consider how I made one of my photographs. The exercise was a simple one, and I know some of you have seen it before but you can still learn from it. Look at the image and ask yourself what decisions I made …
Packing For An African Safari
I arrived in Kenya a couple of days ago, and after looking for rhinos for two days in Nairobi National Park, I’m now settled in on the Maasai Mara and eager to get back to work behind the camera. No clients this time—just me and my best friend and a chance to photograph our favourite place on the planet. I’ve been asked …