I’ve been told it’s a curious decision to photograph so colourful a place as India in black and white, as though colour itself is the defining characteristic of the place therefore the most obvious way to photograph it. But there’s so much more to India than colour, though there’s plenty of that too. There is life and chaos and texture. …
It’s All Subjective
These were the questions I was asked last week and I think they open an interesting conversation. Here’s my take on it: Yes. A photograph needs a subject. It needs something about which to be. In the same way a story or a poem or a song needs to be about something, so too does a photograph. But remember …
Two Big Questions
Walking through Jodhpur with a friend last week he asked me a series of questions about the way I think when I photograph, specifically: how do I prioritize and make the decisions that I do? Do you choose aperture first, or shutter? Do you reach for a wider lens or a tighter? Do you back up, get close? So many …
The Soul of the Camera [Signature Edition]
**Update – As of May 25, the Signature Edition is now sold out. Thank you so much for the support.** On or around June 15, my next book, Soul of the Camera, The Photographer’s Place in Picture-Making, will be released. I have the first copy here beside me and I haven’t been this proud of something I’ve written in a …
The Best Camera?
When, a couple years ago, Chase Jarvis popularized the idea that the best camera was the one you had with you, I was totally on board. I still am; there is much truth in the idea. But if someone is asking the question, “which camera should I get?” it’s less helpful. And this is a question I hear too often …
You Can’t Zoom With Your Feet.
I get nervous when I hear teachers spouting platitudes, especially when they are expressed in the imperative. Do this. Do that. And I get really nervous when I hear my students repeating them. Platitudes are easy to remember. They simplify things. But they do not, generally speaking, teach. They do not change the way we think, only the way we …
High Ground: A Rant
This one might be more for me than for you, but I had to get it out and this is where I do that kind of thing. I’m hoping there’s someone out there that needs to hear it, someone for whom this will bring some creative freedom. Remember being a kid and climbing to the top of whatever we could …
More Than Smiles
For years I chased smiles. I still do. I love a great laugh for the spark and openness it brings to a subject. But laughter and smiles, universal as they are, do not tell the whole story or express the full emotional gamut of the human race (riddling, perplexed, labrynthical soul, as John Donne so well expressed it.) I use …
Your Most Powerful Photographic Tool
Among the first words I said at an exclusive little photography workshop on the east coast last year were: “I don’t give a sh*t about your photographs.” They were not my best-chosen words ever. But I got their attention, and that’s always half the battle. The other half of the battle was trying to convince them I wasn’t a jerk …
Better Stories, Better Photographs.
The most powerful photograph is the one that connects with both the heart and mind of the reader. It’s the image that our imaginations keep returning to, and keep asking questions about; the image that stirs something in our emotions. That captivation is what prolongs our experience of the photograph, it’s what grabs our souls and won’t let go. It’s …