I wanted to follow up on my article about how I expose, to clarify a few things. If you’ve read that article, read on. If not, you might want to read it first. To make a few things clear, my last post was not a dismissal of craft. Craft has its place. Excellence matters. But there’s this thing about people …
Vision-Driven Exposures
This is my confession. I no longer use a light meter. I don’t spot meter. In fact most of the time I don’t even know what metering mode I’m on. My life as a digital photographer became infinitely easier when I abandoned those, put my camera back to manual and simply began exposing for what’s important. Whether you use a …
Vision and Voice
I wrote a book called Vision & Voice. This is not about that. This is about the constant stream of questions I hear that all share a similar quest fuelled by a similar desperation. The questions all centre on one recurring desire: the longing to find your voice photographically. I have tried, in my way, to answer the question creatively, …
Find The Magic
I had a moment in Italy last month as I walked down cobbled streets looking at reflections in the canals of Venice, raising my camera once in a while to my face, feeling like I was in that state of flow that most creatives feel in their souls like a drug when it comes over them. That moment was a …
Learning Mastery
Facebook did it to me again. A headline promised me I could master photography easily. It sent me (I couldn’t help it, I was curious) to an infographic about apertures and shutter speeds and focus modes and rules of thirds. I read it all. And when I was done I knew exactly what I knew when I was 15 years …
Your Next Step: Unified Work
If you’ve read my latest eBook, Making The Image, you know I’m a big fan of questions. Always have been. Questions open us to possibilities, especially when they lead to more questions, experimentation, increased curiosity, and play. This is the last in a series of articles about the power of four particular questions to drive our work forward. The first …
Your Next Step: Narrative Work
The third in a series of questions I encourage students to ask themselves, and frankly, they’re questions I still ask myself – is this one: does my work tell a story? Of course there’s a question that needs to be asked before any other: is story the best tool for the job? Not every photograph has to tell a story. …
Your Next Step: Vital Work
Nothing, but nothing, makes a stronger photograph than it being alive. Not perfect focus, not a great exposure. Life. Spark. Energy or emotion that gives you goosebumps and doesn’t let you go all day. Earlier this week I encouraged you to consider the question: is my work authentic? as one way to take a next step in your photographic work. …
Your Next Step: Authentic Work.
If you’re at the place where you no longer wrestle as much with the basics of exposure and focus, it could be time to work on the photographs themselves: on content and composition, on vision and the deeper aspects of your craft and art. There are 4 questions I keep encouraging my students to ask themselves as they consider their …
Consider Your Colour Palette
One of the things you’ll notice consistently about the bodies of work of photographers who’ve been doing this a while, is that many of them, though not all, seem to work very intentionally to create a consistency within that body of work – some kind of unifying element. Often that element is on a theme, so it’d be a body …