I should have known better; I should have known that I can’t just say, “we give our cameras way too much credit for their part in the photographic process,” on social media, toss it out over left field without further commentary and not get some yeah-buts and some push-back. My bad. I should have known that there will be those …
The Visual Toolbox is Shipping!
I’m speaking at a creativity conference in Mexico this week, but I wanted to let you know The Visual Toolbox is now shipping! You’d think this would get old somehow, but the release of any new book is exhilarating, even more so when it’s a printed book. If you’re at the What If! Conference, come have a celebratory drink with …
Finding Vision?
Tetrapods in the Sea of Japan. Hokkaido, 2015. I spent way too long last week trying to come up with a way to express something in the 140 characters that Twitter allows. I had seen something in one or another of my social media streams, something about a course where you can “find your photographic vision.” There was something about …
About Critique
Popular photography education is awash in the idea that critique is helpful. God knows there are more than enough voices out there willing to give it, solicited or otherwise. And while I think it can be helpful, it often falls wildly short on the ability to provide that critique in a positive way. Nor, I think, does it give any …
Inspired by the Tangible
Any company whose mission revolves around being inspired by the tangible and getting images off our devices and into our hands is a company run by people I want to hang out with. So I’ve been ordering prints from Artifact Uprising and am seriously impressed with them – their quality and their service are spectacular. And their blog is inspiring, …
Starting with Filters
Banff National Park, Canada, 2014. I used both a full and graduated ND for this. When I first started making photographs, optical filters (the ones you put on the front of the lens, as opposed to software filters) were common. You’d screw them to the front of the lens and it was all pretty simple. When I sold most of …
On Noise Reduction
Cavendish, Prince Edward Island We fear missing out, so we read it all, and listen to every voice we can, seldom aware that by doing so we’re missing so much more. This is not the post you think it might be. This is not about reducing the noise in your low-light, high-ISO, photographs. There’s software for that. This is about …
Bodies of Work
Another question from my recent Q&A on Facebook. Some of the questions needed more time and space to answer, this is one of those: How do develop from taking random images to working on projects? What makes a good project? When is it finished? First, I think it’s important to recognize that there are no rules on any of this. …
Personal Projects
Mongolia series. 2012. Hasselblad and some old film. There’s a lot of talk among photographers about personal projects. I assume, by this, we mean projects that are not for clients, though I’ve tried very hard to never do a project that is not in some way also personal. Life’s too short. For me the key word isn’t “personal” because that’s …
Composition & Questions
We often talk about composition as though its something that can be done right or done wrong. When you look at it in those terms photography is not about expression, but about following the rules. The best thing I ever learned on the photographic journey was this: there are no rules. None. Nope, not even the rule of thirds. No …