It seems to me there are two very different approaches often taken in making photographs. The first is very ad hoc and opportunistic. You walk the streets of India (or wherever) and photograph whatever catches your eye. You wander and you photograph anything and everything that you can find at the intersection of your curiosity and great light. There’s nothing …
Stay (Alive & Awake) In The Moment
You will (I hope) be learning this craft for a very long time. The learning curve may flatten out a little and certain skills may come more easily, but after 36 years, I’ve not found myself within sight of the kind of mastery beyond which there is nothing new to learn. My 14-year-old self would be shocked to know what a …
It’s All Been Done?
Somewhere out there, right now, sits a photographer who wants to throw in the towel, discouraged because they haven’t yet found their thing, their niche. I know this because I’ve been that photographer. Some of you have told me you’ve been there, too. Many photographers are still there, frustrated by how hard it is to be original. “It’s all been …
Bodies of Work. Your Next Step?
There are, or can be, many steps on the journey of craft (and vision!). The moment we stop paying so much attention to how much light is in a scene and begin to notice its quality is one such significant step forward. Another for me was when I changed my thinking about my lenses and started choosing my focal lengths …
One Decision Away From Stronger Photographs?
Click play to watch this 7-minute video Transcript: I think many photographers put all their creative eggs in too few baskets. They look to the work they do with the camera as job one, which it is. But it’s not the only job. It’s the sexy job, for sure. But it’s insufficient. Some lean heavily on post-processing or development; you …
3 Ways To Love Your Photographs More
Click play to watch this 7-minute video Earlier this week I started a conversation I’ve been dying to have for a while: specifically, why do photographers get so intimidated by the edit and the “Now what?” that comes once we put the camera down? And are we missing important opportunities? For years, I’ve been signing my letters and articles to …
Better Editing, Better Photographs
Click play to watch this 8-minute video I’d love to hear from you on this. Where do you find your greatest challenges when it comes to choosing your best work and doing something with them, staying organized, and doing all the work that happens beyond the shutter? If you feel like talking about it, drop me a note in the …
What’s Missing From Your Photography?
I was both excited and nervous about going to Kenya recently after a two-year absence. Beyond the extraordinary experience of just being in my happiest of places, there is always the pressure of the photographs. Will they be stronger than they’ve been in the past? Will I find ideas that interest me? Will my new gear and my growing familiarity with …
Your Best Shot Isn’t (Usually) Your Only Shot
I traveled once with a photographer who would leap into a scene, press the shutter, and more often than not exclaim, “I got the shot!” Depending on whether you were there at the time or only heard of it after the fact, it was either really annoying or mildly amusing. If the direction into which he leapt to “get the shot” happened …
From “It’s Not Working,” to “How Can I Work It?”
Have you ever spent time behind the camera working on that image you’ve got in your mind only to think (or mutter) to yourself some version of “this just isn’t working”? Have you ever been in front of one of those scenes or subjects about which someone has said, “You just can’t make a bad picture of this” only to …