In two days, I pack the truck and head north up Vancouver Island to meet my wolf guide, Tom, before spending two weeks camped on a remote island, waiting for coastal wolves to wander in front of my cameras. 🤞 Maybe some otters, bears, or eagles, too. I can’t wait. Packing for a trip is always a mix of excitement and indecision. …
A Word About Art-Making
One of the happy perils of posting your work online is the very real possibility of criticism. I suppose posting it anywhere exposes you, but the internet gives people both a microphone and anonymity. Things get said online that would never be said in person to another soul. The internet, especially social media, emboldens us. But it’s not only the internet. …
Postcards from Kenya
My work in Kenya didn’t go as planned. Story of my life, right? But I’m not referring to the fact that my first two days in Kenya were spent in bed in a tent in the bush, with an IV fluid and antibiotic drip, trying to get a fever down. I’m not referring to the fact that unseasonable rains changed everything, …
Crank It Up! (Or How I Stopped Fearing The Noise Monster)
My first “real” digital camera was a Canon EOS Digital Rebel. All black, with a vertical battery grip and an impressive 6.3 megapixel sensor, it felt like a tiny miracle. But take that ISO up to 800 and the resulting images were less than miraculous; they were so noisy you’d need earplugs. That was 20 years ago, and while so much has changed …
The Adventure of Art
“Life,” said Helen Keller, “is either a daring adventure or it is nothing.” The same can be said about art and the effort to make it. Adventure is defined as ” a risky undertaking of unknown outcome, an exciting or unexpected event.” Risky. Unknown. Unexpected. Art-making has a wildness to it, an untamed quality. I know I’ve written about this …
10,000 Frames to Make One. What’s Wrong with Me?
I loaded my gear into my truck last week and headed 12 hours north to the mouth of the Chilko River, my first trip since the amputation. I drove the same route a year ago, through towering mountains and golden aspens, my mind less on the bears I would photograph and more on the looming surgery. If I didn’t change …
Refine Your Mood in the Darkroom
In my last post (August 06), I discussed a few ways to improve the mood in our photographs, namely by finding stronger mood in the first place, usually by looking for more interesting light or more interesting weather. Just getting out there earlier and staying later helps. Some weatherproof gear and a willingness not to baby the camera so much …
Find the Light, Find the Mood.
“How do you photograph that great light?” is one of the top three questions I’m asked about how I make my photographs. It’s a good question because the camera sees light differently than we do, and unless you know what’s possible, you’ll struggle with retaining the mood of beautiful light. That struggle is more difficult for photographers who are still chained to …
Creative Failure: Teacher or Trap?
In the creative life very few things go the way we expect them to, and I suspect when they do, it’s because we’re not reaching far enough beyond our comfort zone, not risking enough. First steps into any new endeavour—whether that’s learning a new technique or beginning a new body of work—are not the steps that get you to a …
What Makes An Image Work (Part 2)
Last Sunday I posted a photograph on the blog, and in The Contact Sheet email, inviting you to consider how I made one of my photographs. The exercise was a simple one, and I know some of you have seen it before but you can still learn from it. Look at the image and ask yourself what decisions I made …