Landing in Nairobi last month, my usual fears were running amok. Would my luggage arrive with me? Would I have problems at customs? Would the bartender at the first camp be able to make me a decent Old Fashioned, of which I was desperately in need? You know the ones. But most heavy of all, the one weighing me down …
Study The Work of Others
In my last article, I suggested studying the work of others as one path toward making your own work stronger. To shoot what things feel like requires that we first have feelings about things but also to understand what possibilities exist for translating feelings into photographs themselves. It’s a conversation that could get touchy-feely really quickly, but if it gets too far …
Shoot What It Feels Like?
I was young when I first heard some version of this advice: don’t shoot what it looks like; shoot what it feels like. That resonated with me then, and it still does, but I feel like my entire photographic journey has been spent trying to figure out what it practically means in a way that translates to my photographs. “Shoot what it …
Grizzly Bears: Big, Beautiful, and…Noise-Free?
There is a powerful argument to be made for photographing what intrigues you, what you love, or that by which you are obsessed. Making photographs takes time, so that curiosity, love, or obsession serves you well when your best work demands not fractions of a second or even minutes, but hours, days, or—in the case of longer projects—even years. Bears have …
Shoot Like Yourself
“Sometimes,” observed the great jazz musician Miles Davis, “you have to play a long time to be able to play like yourself.” Sometimes? I think he was graciously understating it. For most of us, learning to shoot like ourselves is not only a long journey but a necessarily winding one. When we first begin to make photographs and take our …
To Hunt or Gather?
It seems to me there are two very different approaches often taken in making photographs. The first is very ad hoc and opportunistic. You walk the streets of India (or wherever) and photograph whatever catches your eye. You wander and you photograph anything and everything that you can find at the intersection of your curiosity and great light. There’s nothing …
It’s All Been Done?
Somewhere out there, right now, sits a photographer who wants to throw in the towel, discouraged because they haven’t yet found their thing, their niche. I know this because I’ve been that photographer. Some of you have told me you’ve been there, too. Many photographers are still there, frustrated by how hard it is to be original. “It’s all been …
Best For What?
For years, the article that got the most traffic on this blog was titled “The Best Travel Tripod?” Google sent people there in droves, but most of them didn’t stay long because I stubbornly refused to give an actual answer to that question: what’s the best travel tripod? Instead, I tried to encourage a particular way of thinking for readers to find …
Bodies of Work. Your Next Step?
There are, or can be, many steps on the journey of craft (and vision!). The moment we stop paying so much attention to how much light is in a scene and begin to notice its quality is one such significant step forward. Another for me was when I changed my thinking about my lenses and started choosing my focal lengths …
What’s Missing From Your Photography?
I was both excited and nervous about going to Kenya recently after a two-year absence. Beyond the extraordinary experience of just being in my happiest of places, there is always the pressure of the photographs. Will they be stronger than they’ve been in the past? Will I find ideas that interest me? Will my new gear and my growing familiarity with …