It seems to me there are two very different approaches often taken in making photographs. The first is very ad hoc and opportunistic. You walk the streets of India (or wherever) and photograph whatever catches your eye. You wander and you photograph anything and everything that you can find at the intersection of your curiosity and great light. There’s nothing …
It’s All Been Done?
Somewhere out there, right now, sits a photographer who wants to throw in the towel, discouraged because they haven’t yet found their thing, their niche. I know this because I’ve been that photographer. Some of you have told me you’ve been there, too. Many photographers are still there, frustrated by how hard it is to be original. “It’s all been …
Best For What?
For years, the article that got the most traffic on this blog was titled “The Best Travel Tripod?” Google sent people there in droves, but most of them didn’t stay long because I stubbornly refused to give an actual answer to that question: what’s the best travel tripod? Instead, I tried to encourage a particular way of thinking for readers to find …
Bodies of Work. Your Next Step?
There are, or can be, many steps on the journey of craft (and vision!). The moment we stop paying so much attention to how much light is in a scene and begin to notice its quality is one such significant step forward. Another for me was when I changed my thinking about my lenses and started choosing my focal lengths …
What’s Missing From Your Photography?
I was both excited and nervous about going to Kenya recently after a two-year absence. Beyond the extraordinary experience of just being in my happiest of places, there is always the pressure of the photographs. Will they be stronger than they’ve been in the past? Will I find ideas that interest me? Will my new gear and my growing familiarity with …
Your Best Shot Isn’t (Usually) Your Only Shot
I traveled once with a photographer who would leap into a scene, press the shutter, and more often than not exclaim, “I got the shot!” Depending on whether you were there at the time or only heard of it after the fact, it was either really annoying or mildly amusing. If the direction into which he leapt to “get the shot” happened …
From “It’s Not Working,” to “How Can I Work It?”
Have you ever spent time behind the camera working on that image you’ve got in your mind only to think (or mutter) to yourself some version of “this just isn’t working”? Have you ever been in front of one of those scenes or subjects about which someone has said, “You just can’t make a bad picture of this” only to …
What Lens Should I Bring?
If I could use only one lens for the rest of my life, it would be a 16-35mm (unless I was photographing bears, in which case I’d want 600mm). But then again, if that bear was really far away, I might want 1200mm. Or if I were underwater, then I’d want my 15mm fisheye. Oh, and then there are portraits for which I might want …
Perspective and POV: Change Mine By Changing Yours.
I talk to myself when I am making photographs—mostly mumbling, and it’s always questions. Questions like the ones I addressed in the last email I sent you about time, including “Could I leave and find something else? Could I wait a little longer?” Questions about light as well: “Could I be more creative about this, perhaps by underexposing?” And there are …
For Stronger Photographs: More Time
Three weeks ago, I found myself sitting on the banks of Hudson Bay, a stone’s throw from the Arctic circle, waiting for a polar bear to wake from his slumber. One can wait a long time for a polar bear to awaken. Several times, our group of photographers asked whether we should move on, and several times the answer was, …