Tell Me a (Better) Story
Ask photographers (or God help you, the internet) what makes a good photograph and it won’t be long before someone says, “a good photograph tells a story.” I don’t think that’s true. Not always. I think there are spectacular photographs that tell no story at all. They leave an impression. They elicit an emotional response. Others provide information. And if …
Cooking a Better Photograph
How is it that two photographers can stand in the same place and make two very different photographs? What accounts for the frustrating reality that, in that moment, one photographer can make something truly compelling and beautiful while the results of the other’s efforts are underwhelming? Surely it can’t be just better gear. Sometimes it’s different gear. Different gear represents different possibilities, …
Want Different Results? Try Different Things.
Landing in Nairobi last month, my usual fears were running amok. Would my luggage arrive with me? Would I have problems at customs? Would the bartender at the first camp be able to make me a decent Old Fashioned, of which I was desperately in need? You know the ones. But most heavy of all, the one weighing me down …
Life is Like a Camera?
“Life is like a camera. Just focus on what’s important and capture the good times, develop from the negatives, and if things don’t work out, just take another shot.” – Ziad K. Abdelnour Respectfully, life is not like a camera. To assert otherwise is glib and cheesy and only shows a lack of experience in both life and photography. Life …
Study The Work of Others
In my last article, I suggested studying the work of others as one path toward making your own work stronger. To shoot what things feel like requires that we first have feelings about things but also to understand what possibilities exist for translating feelings into photographs themselves. It’s a conversation that could get touchy-feely really quickly, but if it gets too far …
Shoot What It Feels Like?
I was young when I first heard some version of this advice: don’t shoot what it looks like; shoot what it feels like. That resonated with me then, and it still does, but I feel like my entire photographic journey has been spent trying to figure out what it practically means in a way that translates to my photographs. “Shoot what it …
Grizzly Bears: Big, Beautiful, and…Noise-Free?
There is a powerful argument to be made for photographing what intrigues you, what you love, or that by which you are obsessed. Making photographs takes time, so that curiosity, love, or obsession serves you well when your best work demands not fractions of a second or even minutes, but hours, days, or—in the case of longer projects—even years. Bears have …
3 Ways To Use Colour to Develop Your Voice
When I was a kid, our family got a roll of film developed every couple of months, and I remember getting the envelope of 4×6 prints back from the lab and hearing my mom remind me not to touch the prints. “You’ll get fingerprints on them,” she’d say. Not one to waste a good metaphor, as an adult, that’s all I …
Going Beyond The Single Image
The enigmatic Cat in the Hat once told us that “there is no one alive who is you-er than you.” The less fictional Miles Davis reminds us (as I tried to do two weeks ago in this article) that this is true but that it takes some time to arrive at, that it can take a long time to play, or—as a …
Shoot Like Yourself
“Sometimes,” observed the great jazz musician Miles Davis, “you have to play a long time to be able to play like yourself.” Sometimes? I think he was graciously understating it. For most of us, learning to shoot like ourselves is not only a long journey but a necessarily winding one. When we first begin to make photographs and take our …