VIEW THE PORTFOLIOS

Ten galleries of images representing David's work, both personal and professional, over the last 8 years.

READ THE BOOKS

If you've tried the books about gear and long for something more, David's poured his heart into 20 books and ebooks for you.

COLLECT THE PRINTS

Two carefully curated collections of 24 beautiful fine-art prints and folios for your walls or your personal collection.

Jun 29th

2014

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CategoryPosted in: Emily and I, News & Stuff, Travel

The Adventure Resumes

photo photo 4 photo 7 photo 5 photo 6 photo 3 photo 9 photo 8 photo 11 photo 10

  It’s been a weird few months. After an incredible adventure in January and February – Lalibela, Ethiopia, then Kenya’s Maasai Mara, then diving in Zanzibar – I came home to (yet another) foot surgery and (yet another) recovery, one I didn’t write much about because I’m getting a little self-conscious about just how many times I reference the fall in Italy that broke these feet, and the way that it has become a point of reference for almost everything in my life.

I’ve made the best use I could of this time off, writing a couple more books (and starting to get self-conscious about how many times I write the words, “So, I wrote another book.”) including A Beautiful Anarchy which has become one of the best-received books I’ve written, and one I’ll be releasing in a few months called, How to Feed a Starving Artist: A Financial Field Guide for Artists, Solopreneurs, and Other Anarchists, a book I finally found the courage to write after this article, Chains All The Same, seemed to hit the nerve it did. I’ve printed some work. I’ve read some books. And I’ve schemed, but most I’ve longed for the day I could, once again, walk again and resume my adventures beyond these four walls.

I’m almost there. I’ve done a couple camping trips in the Jeep (photos above), my ankle wobbly and uncertain, but the rest of me so glad to be out in the wild again and breathing deeply. I did my PADI Dry-Suit course so I could scuba dive in the colder water of the pacific northwest, and I’m doing my Advanced Open Water course at the end of the summer, in preparation for a week of diving up north next spring, to spend time with the giant octopus and kelp forests off the northern tip of Vancouver Island.

In a couple weeks 50 of you are joining me in Vancouver for the Created Image conference. I can’t wait to see some old friends and meet some new ones. Then a couple weeks after that Cynthia and I climb into our Jeep, Emily, and head out for what is planned to be a two and a half month trip across the country to Labrador and Newfoundland on the far east coast of Canada. I’ll be posting as much of my adventure as I can on Instagram – you can find me here – and probably Facebook if I haven’t given up on it entirely between now and then.

In November I’m spending a week and a half with the Polar Bears up north, and I’ve got a few other Canada trips planned as well – all in hopes of another fine-art book of photographs, this time from the country I’ve grown up in and loved all my life, but so seldom photograph. A lot can happen between now and then, but that’s the project that’s driving me right now – bears and octopus and the wild beauty of this astonishing country. I can’t wait to share it with you, both as I travel, and once the work is done.

Thanks so much for your patience. I know the blog posts got a little thin, and on top of that we just keep rolling out books and resources. I value you all so much, and am so grateful to have such a great community to share my work and life with. Thanks for the patience, the adventures are about to resume. I hope you’ll join me.

Jun 23rd

2014

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CategoryPosted in: Craft & Vision, The Craft, Tutorials &Technique

SHOOT THE LOOK

If you want to really learn your craft, it’s more than buttons and dials. You need to be able to take all the technical stuff you’ve got under your belt and apply it to create particular moods and aesthetics. You’d be hard pressed to find a commercial photographer with more credibility, experience, and the desire […]

Jun 18th

2014

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CategoryPosted in: Study the Masters

Study the Masters: Vivian Maier

Unless you’ve been hiding in a cabin in the woods, there’s a better than none chance that you’ve heard about Vivian Maier (1926-2009), the reclusive nanny who lived and worked – and photographed – in Chicago for most of her adult life. Her work never saw the light of day until discovered serendipitously by a […]

Jun 8th

2014

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CategoryPosted in: Study the Masters

Study the Masters: Dorothea Lange

Dorothea Lange (1895-1965) was an American photographer best known for her photojournalism in the Great Depression, and notably known for the image above, Migrant Mother. An early documentary photographer, Lange’s work in the depression was done primarily on behalf of the American Farm Security Administration (FSA). Later covering the forced relocation of Japanese Americans, in […]